Monday 20 May
 
 
CD reviews

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0

VOTD: Drink the Kool-Aid


We mean indie-pop band Cults’ cut for ‘You Know What I Mean.’

By Matt Carney February 10th, 2012

Cults — in case you forgot — were the delightful big-label-masquerading-as-indie-darlings pop surprise of 2011. Regardless of who distributed their excellent debut album, it’s, well, excellent.


This video of guitarist Brian Oblivion taking a massive-scaled circus plunge off a platform and into the heart of cutie-pie singer Madeline Follin matches the tender tone of the ’60s girl-group song, at least until her daddy gets mad and another circus stunt goes wrong.


 
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