It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
It's pretty awesome that each member of the band has his or her own signature video-game moves in the video for "Dum Dum Dah Dah" (my favorites are James' on-the-ground forcefield drumroll and just getting to watch Jen kick butt in general), but what's really kind of amazing is the fact that David Nghiem apparently dreams in a video-game format.
Also, watch for Tyler Hopkins and Tanner Blair, who are probably the two most convincing bad guys I never would have considered to be bad guys. And there just can't be enough said about how fun-loving and silly Roberts' stop-motion stuff is. Be sure to check out "Battle of the Bonds," too, if you haven't already.