Comedy
Rod Lott
When I think of Dean Martin, I think of cocktails, not cowboys. Making a long-overdue DVD bow, 1971's Something Big outfits the Rat Pack veep in Western wear for a comedic go-round as one Joe Baker.

Thriller
Rod Lott
Forced to take a vacation from her bank job after a series of stressful blow-ups, Hae-won (Seong-won Ji) leaves Seoul for a week's stay on a farming island where her childhood friend, Bok-wan (Yeong-hie Seo, The Chaser), lives with her extended family.

Thriller
Rod Lott
Considered the granddaddy — er, make that grandmama — of psycho-biddy flicks, 1962's What Ever Happened to Baby Jane? pits two old-Hollywood legends against one another, with Bette Davis and Joan Crawford as the snarling Hudson sisters.

Thriller
Rod Lott
Of the six films that compose the double-disc Weird-Noir set, exactly zero may qualify as truly weird. The adjective likely is applied just as a tie to its label, Something Weird Video. Whatever the case, I don't care. The point is, all six films are a blast, and I'm just happy to have them — weird, plain, odd, milquetoast, legitimate, what have you.

Sci-Fi
Rod Lott
It's 2018, and a U.S. president who looks uncannily like Sarah Palin sends a black man to the moon in a bid for re-election. The American lunar module lands on the dark side of the moon — you know, where the Transformers live — and finds an enormous Nazi outpost that's been there since Hitler's plan for world domination failed.

Comedy
Rod Lott
At the Silvadollaz strip club is where much of Strippers vs. Werewolves takes place, and watching the wretched British horror-comedy is much like attending a strip club in person:
1. It sounds like more fun than it actually is.
2. Any eye candy is hardly worth the time or money.
3. Ultimately, it's a sad and depressing enterprise.

Comedy
Rod Lott
How long has it been since you've seen 1986's Little Shop of Horrors, the Oscar-nominated musical comedy produced by Steven Spielberg and directed by Martin Scorsese? No, I haven't erred; according to producer David Geffen in a half-hour special on this definitive Blu-ray edition, those Hollywood heavyweights were part of his original plan.

Performing Arts
Rod Lott
Night of Grand Guignol: French Theatre of Horror
8 p.m. Friday-Saturday, through Oct. 27
Reduxion Theatre
1613 N. Broadway
reduxiontheatre.com
651-3191
$15-$18

Visual Arts
Rod Lott
American Moderns, 1910–1960: From O’Keeffe to Rockwell
through Jan. 6, 2013
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$10-$12

Horror
Rod Lott
In a post-Saw world, Darren Lynn Bousman quietly has been making a series of horror films more in line with scary movies of the 1970s than the torture-porn genre he helped usher in. Already this year, DVD has brought us his superlative Mother's Day remake and the low-key demonic pic 11-11-11, and now The Barrens. It's just too bad they've all been denied wide theatrical releases.

Action
Rod Lott
To my knowledge, no one ever said, “I can’t wait for the new Robert Conrad movie!” That could be because so few knew he made movies. After all, Conrad spent the bulk of his long career on the small screen, in the likes of The Wild Wild West, Black Sheep Squadron and a highly memorable ad campaign for Eveready batteries.

Horror
Rod Lott
Few critics are unable to see through the violence and admit there's a real artfulness at work in Eli Roth's pair of Hostel films, both now available in their unrated director's cuts on a single, budget-priced Blu-ray from Mill Creek Entertainment.

Action
Rod Lott
In 1986, writer and artist Frank Miller changed the comic-book industry forever with the four-issue series that became the graphic novel The Dark Knight Returns. Its sour disposition and gritty attitude was arguably the darkest depiction of Batman the world had seen, paving the way for the caped crusader’s move to big-screen blockbuster three years later.

Documentary
Rod Lott
OC87: The Obsessive Compulsive, Major Depression, Bipolar, Asperger's Movie
5:30 p.m. Friday-Saturday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$5-$8

Western
Rod Lott
What a kick it is to see Robert Mitchum biting into a stogie and laying waste to a room with a machine gun. Because, really, how often does a man of the cloth do that? No wonder the 1972 quasi-Western is titled The Wrath of God. The film takes place in a South American town so brutal and dismal that, as one character reasons, "If God had wanted to give the world an enema, he'd've stuck the nozzle in here."