OKG7 things to do
Gazette staff
For the last time, set your viewfinder on Andrew Stout’s exhibit, “Visions of Quiet Dignity: Photographs of South India.”
Monday 20 May
OKG Newsletter
Topic: Andrew
Picture this
OKG7 things to do
Gazette staff
For the last time, set your viewfinder on Andrew Stout’s exhibit, “Visions of Quiet Dignity: Photographs of South India.”
Watch it
OKG7 things to do
Gazette staff
Andrew Lloyd Webber’s sequel to The Phantom of the Opera has yet to hit Broadway, but no need to wait — only to hurry! The epic stage musical Love Never Dies screens at 7:30 p.m. tonight only at Cinemark Tinseltown USA, 6001 N. Martin Luther King, and Hollywood Spotlight 14, 1100 N. Interstate Drive in Norman. Tickets are $12-$14. Leave your novelty masks at home. Visit fathomevents.com.
Wednesday
The Amazing Spider-Man
Spins a web, familiar size.
Action
Rod Lott
I still don’t know why Hollywood felt that Spider-Man, all of 10 years young, needed to be remade — I suspect it has to do with selling toys. Enough of calling The Amazing Spider-Man a “reboot,” too; this is a remake through and through.
Tusk’s task
It’s a noble pursuit for Black Tusk, really: Fully commit to brewing a blend of swamp metal.
Music
Joshua Boydston
Black Tusk
7 p.m. Monday
The Chameleon Room
3034 N. Portland
ticketstorm.com
537-8136
$10-$13
The Frozen
Watch this winter thriller from the comfort of a toasty couch.
Thriller
Rod Lott
Not to be confused with Adam Green's Frozen, snowbound terrors and all, Andrew Hyatt's The Frozen follows couple Mike (Seth David Mitchell) and Emma (Brit Morgan, True Blood’s werewolf Debbie Pelt) into the woods for a winter camping trip.
Cherry Tree Lane
‘Cherry’ bombs.
Cave in
After a long hibernation, Kansas City indie poppers The Caves finally break out a debut disc.
Music
Becky Carman
The Caves with Brother Bear
8 p.m. Friday
Opolis
113 N. Crawford, Norman
opolis.org
820-0951
$7
Eastbound & Down: The Complete Third Season
Major-league laughs at bat.
Television series
Rod Lott
On the basis of Eastbound & Down’s first two seasons, if Kenny Powers were a real person, I’d advise readers to lock up their daughters. After watching the third season, I’d add infants and toddlers to that list.
Upstream Color
Viewers may not be able to decipher it, but its artful mysteries are compelling enough to try.
