Saturday 19 Apr
 
 
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OKG Newsletter


Topic: Typhoon

Typhoon — A New Kind of House

Astounding acoustic/folk/indie/Arcade Fire, etc. music


Indie

Stephen Carradini
I love music with depth. Give me a complicated arrangement with lots of instruments and a gnarly lyric to be parsed, and I’m happy as a clam.
 
Thursday, February 24, 2011
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OKS --> SXSW!

It’s time to kick out the jamz

Change the oil, pack the car and cue up the playlist, because it’s time to head down to Austin for Music Christmas South by Southwest. I’ll be down there Tuesday night all the way to the end in the wee hours of Sunday morning. Here’s an audio and video approximation of how excited I am.

You can expect loads of SXSW coverage here at the OKSee blog. I’ll be spending Tuesday, Wednesday and the first half of Thursday covering the Oklahoma Film and Music Office’s The Buffalo Lounge. The fantastic people up at OF&MO have put together a lineup of 28 Oklahoma bands that I’m really excited to see. Expect photos, audio clips (of talking — music clips from my teeny recorder would sound like this), interviews, reviews, news bits, the whole nine yards. It’s gonna be a blast.

I’ll also be tweeting up a storm at twitter.com/okgazette.

From 6 p.m. Thursday onward, I’ll be kicking it all over Austin, trying to catch the best and brightest new music the smorgasbord has to offer. I have several priorities (one of Braids9 shows, Typhoon, Matt and Kim, Rocky Business, Givers), but I’ll be all over the place, reporting it as I hit it. I may even drink coffee to get me through this. My stimulant of choice is Red Bull, but at 10:30 a.m. Friday when I’m trying to get to a Chris Bathgate show at 11, I may have to call in the big guns.

Here’s a whole bunch of SXSW info for those going/lusting:
Official site
Last.FM band aid, which will run your Last.FM account against the listings to tell you who you should see, which will make attendees drool and lusters weep
Guardian complete band listing, with vids, streams, bios and more on each
Bandcamp visualizer – about a fourth of the bands have music downloadable/streaming/available for purchase here
Free iTunes playlist

Thanks to Pitchfork for alerting me to a couple of these links.

photo Braids

by Stephen Carradini 03.11.2011 3 years ago
at 02:40 PM | Permalink | Comments (0)
 
 
 
Typhoon

Speed Set: SXSW Saturday

Twelve bands in 700 words. Let’s go.

Just as SXSW-curated Speed Sets banged out a lot of music quickly, I’m going to do a Speed Set to bang out a lot of information quickly.

Danish electro-pop diva Oh Land played a very solid set. You may have heard the infectious single “Son of a Gun,” which she closed with. The rest of her set was nice, but not anything especially fantastic.

Versus played a similarly solid set of guitar-based indie rock. They’re a Merge Records band that has been around in various forms since 1990, so that should tell you a lot about the quality and content of the set. It ain’t trendy, but it’s consistent, strong music.

Dance-punk phenomenon !!! (aka Chk-chk-chk) turns its myriad of instrumentalists into one funky, fast-paced machine live. Their lead singer is an absolute wonder, as he prances, dances, makes eyes at the crowd, wanders into the audience, hollers, sings and generally goes ballistic. He put his hand on my head and sung into my face from several inches away for a line. I am not unique in this treatment. Yes. You must see them live.

Malajube’s rock was equal parts Muse and The Bravery. It was fun, but I keep wondering how long the hat-snare dance-rock beat is going to last.

Little Scream’s epic-leaning indie rock included a bass flute, group vocals (primarily led by a female vocalist) and great songwriting. They’re also from Montreal. Has Arcade Fire asked them to tour together yet? Please say “yes” when they do, Little Scream.
 
Owen Pallett’s looped violin and piano lines create polyphonic, mind-blowing, mini-symphonies. The fact that you can sing along to them is just a bonus. His energetic tunes had the impressed audience smiling. Pallett proves that string virtuosos can be cool.

Braids laid down a mesmerizing set. Starting off with highlight track “Glass Deers” off their album “Native Speaker,” they entranced the audience with their ambient, fuzzy indie rock. I got lost in the sound; it’s like listening to a warm blanket. They thoroughly impressed me, and I can’t wait to see them again.

Erin McLaughlin played a quick but beautiful folk show. Her poignant, acoustic-based songs speak for themselves. I was so moved that I bought her EP (the only music I bought in the entire SXSW week). You must check it out.

Slije Nes’ gentle and ethereal tunes so affected me that I was tearing up during the set. The Norwegian woman spent much of her time sitting on the ground playing, and she turned all the lights off, except for one tiny strand of Christmas lights piled next to her foot pedals. It created an intimate, immersive experience, as her gentle voice and hushed accompaniment (how quiet? One of the songs features the percussionist scratching his arm into a microphone — and we could hear it) created an absolutely fascinating performance. Beautiful, beautiful music, even when she ratcheted up the electric guitar volume for one track.

Sharon Van Etten’s speaking voice was hoarse, but her singing one was not, as she filled Central Presbyterian Church with her mournful voice and somber harmonium. It was gorgeous.

With horns, strings, four percussionists (two with drumsets, two with auxiliary percussion) augmenting your average guitars and such, Typhoon’s sound filled an entire church. When all twelve of them sang, it became a revelatory experience. The songs are brilliant in their recorded format, but they become something else entirely when played live. It was easily the best set I saw at SXSW. If you haven’t heard of Typhoon yet, you will. (That's as many of them as I could fit in a frame, up there at the top of the post)

The Rural Alberta Advantage’s “Departing” just came out, and I found it to be a lot different than their previous work. Live, however, the new tunes fit in neatly with the older ones. The set was fun, with a nice mix of old and new songs. The highlight was the encore/closer, which had the three members of RAA come down from the stage to the audience for an acoustic version of “Good Night,” the somber closer of “Departing.” It was an incredibly fitting end to a massive week of music.

by Stephen Carradini 03.22.2011 3 years ago
at 02:00 PM | Permalink | Comments (0)
 
 
 

The Housemaid

South Korea’s probing look at one horrifyingly corrupt family


Drama

Rod Lott
Here’s how to tell the two Koreas apart: North Korea’s the one run by the crazy-scary guy; South Korea’s the sane one that just makes movies about crazy-scary guys. And girls.
 
Friday, June 10, 2011
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Khalamoo, y’all!

A festival and a CD release for your weekend enjoyment

Summer is here, so that means festivals, parties and staying out late. Here’s two more things to do if nothing in this week’s Gazette piqued your fancy. (What’s wrong with you?)

Oklahoma City clothing company Of New Astronomy is holding a festival Saturday and Sunday at Norman’s Hidden Castle, 1309 SW 24th. The Khalamoo Festival (scramble it up) will feature 20+ local and touring punk, rock and hardcore bands. Die to Yourself and Beyond Our Skies headline Saturday, while Teeth Like Lions, A Past Unknown and Outline in Color head up Sunday’s offerings. Get the full schedule here.

OKC rapper Warrbuckss drops “#fuckurmixtape” 10 p.m. tonight at The Dugout, 10909 N. May. The man himself will perform, as well as Nada Problem, L Smooth, Rob Vader, Jook Mode and more. The first 100 through the door paying cover get a copy of the CD for free! You can preview the tunes here.

While you’re here, grab these MP3s:

“Summer Home” — Typhoon. Acoustic guitars, horns, strings, a choir? Portland sends its love.
“Love Me More” — Roadside Graves. Down-home gospel warmth meets indie-pop reserve.
“Blacklight Horses” — Matt Bauer. Sometimes even a whisper can grab you by the throat.
“Trials” — Southerly. Sonorous piano leads this flowing instrumental.
by Stephen Carradini 06.10.2011 2 years ago
at 02:00 PM | Permalink | Comments (0)
 
 
 

VOTD: Typhoon climbs a tree for La Blogotheque

Dogs, hanging instruments and hipsters all around you. Sounds like a typical Take Away Show to me.



The 2000s saw folk singers assemble indie-orchestra bands loaded with violins, cute musician girls and scruffy faces (Sufjan Stevens, Lost in the Trees, Austin, Texas's Mother Falcon).

Portland’s Typhoon just may have literally taken this sub-sub-genre as high as it’s ever gone.
by Matt Carney 07.22.2011 2 years ago
at 01:10 PM | Permalink | Comments (0)
 
 
 

VOTD: It’s a Newman take on ‘Old Ideas’

New Pornographers leader A.C. Newman covers a Leonard Cohen classic.

With the bevy of on-the-go, takeaway-style performances these days, it’s sometimes really refreshing to hear great musicians play in an actual recording studio. As opposed to, you know, a dirty bathroom, a tree, or a brand-new Chevy Sonic outfitted with pneumatic arms. Not that these locations are inherently bad, it’s just that too much of trying to find a funky place to play sometimes distracts from the pure, simple goodness of a richly written song.

“Hey, That’s No Way to Say Goodbye” is such a song, and it gets a terrific treatment with a some beautiful cinematic video to match its rich traditional arrangement. A.C. Newman’s anecdote is pretty poignant, too.



 Leonard Cohen’s latest album, “Old Ideas,” is out now.
by Matt Carney 02.20.2012 2 years ago
at 10:35 AM | Permalink | Comments (0)
 
 
 

Karate-Robo Zaborgar

This one’s rightfully robo-cocked.


Comedy

Rod Lott
Japan's Karate-Robo Zaborgar is a movie that has everything: a female cyborg girl with a detachable head and with missiles hidden in her metal bra, a samurai robot with enormous lips, a floating castle, a lactating man, multiple exploding footballs, a flying wheelchair powered by flatulence, and, lest we forget, sex tentacles.
 
Friday, September 7, 2012
 
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