Pitchfork’s often criticized for its enormous sway on consumers, which — from time to time, whether intentionally or without intention — it wields to blow bands up (see: Broken Social Scene) or completely and viciously implode them.
Having nabbed Pitchfork’s “Best New Music” accolade on its recent debut, “The Year of Hibernation
barely legal Youth Lagoon most definitely qualifies as the latter, and deservedly so. Watch this beautifully lit video for the song “July,” where Powers draws you in with his airy mumbles and plinky piano playing before ratcheting up the drama into a kick-drum-powered funeral march.
I’ve been listening to this guy’s album for a few weeks now and can verify that several songs on it go from frail to triumphant in mere, wonderful moments. “Posters” and “Afternoon” both get capped by welcome dance beats, the production all fuzzed out and swirling around them. It’s a great record about growing up, and I’m excited to say I’ll be seeing him in Denton, Texas, next week. Watch “July” over at Pitchfork