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OKG Newsletter


Topic: georgia

OKS Chatter: Reptar

Oddball five-piece Reptar rawrs its way into your heart.

At an early day set at this year’s Austin City Limits Music Festival, I caught the Athens, Ga.-based Reptar hosting a big party at one of the smaller stages, plopping synth melodies and jumping around onstage while encouraging the audience — that really didn’t need the prompting — to join them.

I later caught up with synth player Ryan Engleberger and multi-instrumentalist Graham Ulicny to talk about the band’s hometown, extroversion and why its debut EP is named “Oblange Fizz Y’all.”

OKSee: What’s the music scene in Athens like right now?

Engleberger: Athens is really interesting, because there’s this constant tension between people like Graham and I, who are townies who moved there because there’s a lot to offer that isn’t related to the University of Georgia. Then there’s the U of Georgia side that’s Andrew and William. We actually represent a pretty good merger of townies and school kids.

Sometimes people who write for publications take sides and create divisions when there aren’t really any. But we all play with each other. It’s hard not to be influenced by one side, if you’re the other.

OKS: What’s each side specifically known for?

Engleberger: I think the stereotype is that the townies are a little weirder. Then the UGA side is frattier.



OKS: Explain the title of your EP. Because I don’t know how to pronounce or what the hell it means.

Engleberger: The title is actually a combination of a couple of ancient, now-defunct languages. And also English. You can find “fizz” in the Oxford English Dictionary. To fizz. To have fizzed. Having been fizzed.

Graham Ulicny: Desperately want to fizz. To fizz oblangley.

Engleberger: Right. “Oblangle” is a combination of words from ancient languages. There’s a symbol from a Mayan word, a Latin word and not Czech, but a precursor to Czech. There’s a combination of that, the deep linguistic studies we all do. I think mostly, it’s just from the sonic, train-of-thought conversations we have that don’t always make sense, but have to do with us making sounds and reciting things that we maybe have half-learned before. It just kinda came up.

OKS: Did you guys study linguistics in school?

Engleberger: I totally made that up. I studied Latin for a bit, I guess.

OKS: Why do you guys go full steam ahead into synthesizer-driven melodies?

Engleberger: I think the melody-heavy part is because of pop songs. Pop songs are all about melody. We wanted experimental elements, but mostly we want to record songs that people will listen to and enjoy, you know? We want to mess with them and take them out of their comfort zone, but in order for them to get into it, there has to be a good melody. Graham studied jazz, and it’s all about melody. A lot of really complicated stuff spins out of that, but that’s the basis.

Ulicny: It’s about a communal experience. There’s a lot of ways to enjoy music in a crowd, but we’re always looking to encourage people to be extroverted. And the best way to do that is to have something relatable, like a melody. And energy onstage.

OKS: And you guys are nothing if not extroverted, onstage.

Engleberger: We try.



Photo by Matt Carney
by Matt Carney 11.09.2011 2 years ago
at 12:25 PM | Permalink | Comments (0)
 
 
 

'Modern' art

A lot can happen in half a century, as proven by a new exhibition reflecting a United States in flux.


Visual Arts

Rod Lott
American Moderns, 1910–1960: From O’Keeffe to Rockwell
through Jan. 6, 2013
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$10-$12
 
Wednesday, October 3, 2012

Tusk’s task

It’s a noble pursuit for Black Tusk, really: Fully commit to brewing a blend of swamp metal.


Music

Joshua Boydston
Black Tusk
7 p.m. Monday
The Chameleon Room
3034 N. Portland
ticketstorm.com
537-8136
$10-$13
 
Wednesday, November 21, 2012

‘Circus’ folk

Performing for millions on ‘The Voice,’ singer-songwriter Rebecca Loebe would rather play for one room on her ‘Circus Heart’ tour.


Music

Joshua Boydston
Rebecca Loebe
7 p.m. Thursday
The Blue Door
2805 N. McKinley
bluedoorokc.com
524-0738
$15-$20
 
Wednesday, January 30, 2013

The Haunting in Connecticut 2: Ghosts of Georgia

Boo! Hiss.


Horror

Rod Lott
Let’s forgive the ridiculousness of the state-confused title that is The Haunting in Connecticut 2: Ghosts of Georgia, in order to focus on the film itself.

Said film means well, yet is terrible.
 
Friday, April 5, 2013
 
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