Rock Matt Carney
Do you ever listen to Beach House and think, “I’d really like this a lot
more if the guitars weren’t so passive.” If so, Denton, Texas, rockers
Sundress might just be your new band du jour.
Considerably less terrifying than their previous collab, “I Wanna Get High, But I Don’t Want Brain Damage”
I’m really digging the damaged vein the Lips seemed to have slipped into these last couple of years. 2009’s “Embryonic” was the freaky, border-pushing, psychedelic album they’ve always had in them, but were too busy having fun with sci-fi sing-alongs like “Yoshimi Battles the Pink Robots” to record.
Anyhoo, check out this new clip from George Salisbury and his Delo Creative http://delocreative.com/nasa-on-acid/ dudes. It’s a really long song, but the Lightning Bolt choral part in the middle is really wonderful. Salisbury does well to represent on video the destructive energy of actually seeing Lightning Bolt perform in person.
Three of Norman’s best, loudest bands help kick-start the school year with a whole mess of chaos that costs a whole lotta nothing.
Music Matt Carney Stardeath and White Dwarfs with Broncho and Chrome Pony 6:30 p.m. Friday East lawn, Oklahoma Memorial Union, University of Oklahoma, Norman ou.edu/uosa/cac.html free
Music Matt Carney
Don’t worry, rock kids. Now on EP No. 3, Oklahoma City’s Junebug Spade
is still the same, early British, vaguely psychedelic, throwback band
that Oasis returned to fashion in the ’90s — the kind of band that kills
with simple, original guitar riffs and lyrics about ... well, girls
mostly.
Watch a couple of locals mix genres and styles on ‘Chevy Bricktown Showcase.’
OKC psychedelic rock band Horse Thief interviews local rapper Jabee in this genre-busting edition of the “Chevy Bricktown Showcase.” Denver Duncan gives the silky-voiced loop assist in this performance. Watch:
Indie Matt Carney
Local psych-rock outfit Horse Thief’s first album, “Grow Deep, Grow
Wild,” blasts open with a Gothic church organ undercut by some very
subtle guitar scratching for texture.
“My Lover” alternates between silly sped-up and rewound shots of them dousing each other with water and what appears to be bags of flour; swirling, psychedelic food dye in what appears to be a toilet (for tripping on a budget!); and a cool, throwback film treatment that definitely doesn’t appear to be your typical DSLR fare. Nice work for matching your sound, gents!
And yeah, if Junebug Spade had a signature track, this one might just be it, all lazy licks and sexual angst before it kicks into a catchy, noisy chorus. Watch:
'Is David Bowie Dying?' to hear the Flaming Lips' cover of 'She's So Heavy'?
Remnants of The Flaming Lips’ epic, two-part New Year’s Eve Freakout #5 continue their fallout across the Internet with a pair of Delo Creative videos that I proudly helped to shoot.
First up is a trippy new track called “Is David Bowie Dying?” It featured special guest Alan Palomo, whom you may know as Neon Indian. I spoke with Palomo after his second-night opening set before the Lips went on, and the guy was one of the most endearing, friendly musicians I’ve ever encountered. Watch him and Steven Drozd get into a fight to see whose instrument can make more video game bleep-bloops:
And second is The Lips’ Nels Cline-assisted cover of The Beatles’ blues-addicted guitar standard “I Want You (She’s So Heavy).” They played it both nights, each with the jam stretched for more than 15 hypnotic minutes. I seriously thought my arms were going to give out from holding my camera up for that long. My personal challenge to you: Watch this thing all the way through. If not, then here are a couple of highlights:
• Alan Palomo’s nerdily enthusiastic fist-pump. • A signature Nels Cline-contorting-his-body-so-frenetically-that-you-think-his-neck’s-gonna-snap-right-off-his-shoulders-’cause-he’s-kinda-old crazy extended guitar solo. • Fans looking pissed because of all the instrumental wanking going on.
Indie Zach Hale
Psychedelic folk isn’t new, but it certainly is increasing in popularity. The surge has brought such weird-minded acts as Grizzly Bear and Animal Collective to the forefront, but the downside to any emerging movement is that it inevitably will seduce those who seek to piggyback on its success.