I hit Traindodge every year at the festival, because their crushing rock'n'roll has a been a favorite of mine since 2002's "On a Lake of Dead Trees." They mashed out their solid set of bruising tunes at Bill and Dee's. If you're not familiar with their rock'n'roll, you should check it out; it's heavy, loud and passionate. They've got a new EP coming out soon called "Remains," and I assume that Traindodge remains as heavy as ever.
Also, at some point during Friday evening, I hit up the Sonder Music open jazz jam, partly because I wrote about jazz jams a couple weeks ago and partly because I hoped Cami Stinson would be there.
It was a really fun thing, and I recommend going to a jazz jam if you have not done so. Sonder Music is still an awesome venue. Cami Stinson was not there.
The next day, I started my day with Gum, whose pensive piano rock was punctuated with bursts of noisy rock. With the bright blue sky behind them and a full day of music ahead of me, the mood didn't really fit, but the music was good. Also, the Red Bull had not kicked in yet, so this set is a little hazy in my mind.
Dr. Pants gained my love by introducing their drummer as Disco Pony. Their power-pop did even more to gain my love once they started singing about young men who love John Cusack (guilty), bearded hipsters (guilty), Firefly references (guilty), donuts (guilty) and ironic rapping (guilty). This band seems as if it were scientifically engineered for me to like it. Their power-pop tunes split the difference between Fountains of Wayne and Weezer, albeit with ironic rapping every now and then.
The Non's really excited drummer.
There's some dance influences as well, ensuring that everyone has a good time. Speaking of dancing, David Broyles' dancing is worth watching the set for. You will be entertained. And is that not what we go to shows for?
I'm really thankful that Bluebonnet was literally next to the main stage, because The Non went on promptly at 1:20, just barely giving me time to step out the door from Dr. Pants' set to the OKC four-piece's instrumental mastery. After the band's incredible showing last year at NMF with a full orchestra, I was interested to see what they would do to top it. They didn't try to: They just went out and did their really excellent thing on a really huge stage. I and other writers have gushed about The Non before, so I'll say this and then go on: This band could open for Sigur Ros or Explosions in the Sky tomorrow. They are ready.