Comedy Rod Lott
Nine decades after women earned the right to vote, it’s unfortunate that “Bridesmaids” is being hailed as something revolutionary, as if the better half has never been funny onscreen before.
The plot’s as insubstantial as the trailers it’s based around, but ‘Trailer Park Musical’ goes for it with authentic costumes and one-liners.
Performing Arts Larry Laneer
The Great American Trailer Park Musical 8 p.m.
Friday, 4 and 8 p.m. Saturday, 2 and 7 p.m. Sunday Civic Center Music Hall, 201 N. Walker 297-2264 $25-$30, $8 Student rush
There's something about this sex comedy: It's really funny!
Comedy Rod Lott
That semen-in-the-hair scene in "There's Something About Mary" was both the best and worst thing to happen to Bobby and Peter Farrelly.
Maria Bamford brings her self-deprecating humor to City Arts Center.
Performing Arts Joshua Boydston Maria Bamford with Jackie Kashian, James Draper and Zach Smith 7 p.m. Friday City Arts Center 3000 General Pershing cityartscenter.org 951-0000 $22 Advance, $25 Door
Comedy Rod Lott
Two new movies tackle the coming-of-age dramedy in entirely different
ways, yet neither succeeds in being particularly moving or reaching its
goals, despite some strong moments. Meet "Hesher," which earned a
theatrical release, and "Just Peck," which didn't.
Comedy Rod Lott
Fresh from throwing his epic, annual White Trash Bash, professional
gadabout Eric (Jason Sudeikis, TV's "Saturday Night Live") is told by
his father that the Hampton home that has served as party central for
Eric and his friends for nearly two decades is going on the market.
As an intern for ‘Saturday Night Live,’ an OKC native gets a behind-the-scenes look at the iconic TV show.
Features Phil Bacharach
For more than five decades, television’s “Saturday Night Live” has been a
staple of pop culture (“Well, isn’t that special?”). For an Oklahoma
City woman attending college in New York, however, it meant just another
day in the office.
Sci-Fi Rod Lott
From 1983, “Deadly Spawn”
clearly is rooted in the style of the 1950s sci-fi monster movies whose
posters bedeck one of the character’s walls, from Bert I. Gordon's "The
Spider" to Jack Arnold’s “Monster on the Campus” — films in which
severe deficiencies in budget are mitigated by ingenuity and charm.