There is something truly remarkable about A Boy and His Dog: the ability to remain under the radar despite all its cultural touchstones, owing a debt of gratitude to L.Q. Jones’s adaptation of Harlan Ellison’s novella.
I've seen many a zombie movie — too many, one could argue successfully — but 1966's The Frozen Dead must be the first in which a member of the undead was so concerned with hair care, Carly Simon probably wrote a song about him. As the pic's mad scientist introduces him, “This one is harmless. He combs his hair continuously, like a vain adolescent.”
With the run of original Star Trek films, there's a long-standing theory that only the even-numbered entries are good, i.e. Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, Star Trek VI: The Undiscovered Country. Well, that theory does not apply to director J.J. Abrams' rebooted franchise; both of his voyages of the starship Enterprise — 2009's Star Trek and this summer's sequel of Star Trek Into Darkness — stand strong as successes across the board: creative, critical and financial.