Television series
Rod Lott
Since the CW cult hit horror "Supernatural" already had spun off into novels and comics years ago, why not cartoons? It's only natural, and the colorful, creepy Japanimation style makes a suitable fit.

Television series
Rod Lott
Thank God for networks like Fox and The CW, because on the Big Three, shows like "Fringe," "Supernatural" and "Nikita" would have been canceled by now, if ever given a chance to air at all. By appealing to a smaller audience — but that most highly coveted youth audience — edgier fare can flourish without having to pull monster ratings.

Horror
Rod Lott
As someone who loves mummy movies, I’ve long had The Awakening on my radar, but only now has the 1980 horror thriller come within reach, thanks to Warner Archive. While the film's rep isn't sterling by any stretch, I found it to be a nice surprise.

Comedy
Rod Lott
It's been several years since we've gotten a good parody movie. With the release of Supernatural Activity, it's obvious we may have to wait several more. Found-footage horror is ripe for a ripping, but this one isn't it.

Horror
Rod Lott
Very few movies can scare me. The Pact scared me.

Action
Rod Lott
While not fully lucid, Painted Skin: The Resurrection excels from a standpoint of visuals. Whether that’s worth an entire viewing depends on your tolerance for fantastical whimsy.

Television series
Rod Lott
While a bit too stiff-upper-lip for my tastes, Synapse Films’ release of the British TV series Chiller is welcomed nonetheless. Any release of a horror anthology is, especially one this little-seen.

Comedy
Rod Lott
Now that I’ve devoured Warner Archive’s The Great Gildersleeve Movie Collection, I know who my mom was referring to all those years. It’s irrelevant for your enjoyment of the set, but Harold Peary’s Gildersleeve character proved so popular on the Fibber McGee and Molly radio program, he was spun off into his own show (and eventually TV and these films).

Action
Rod Lott
One easy way to review The Four would be to call it a kung-fu X-Men. Hell, director Gordon Chan (The King of Fighters) already has a pair of sequels planned. The big difference, of course, is that this Chinese/Hong Kong film is a period piece set nearly a thousand years ago. Therefore, it’s not interested in adamantium blades, but counterfeit coins.