Wednesday 23 Apr
 
 
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OKG Newsletter


Topic: Drama

Much Ado About Nothing

Great Shakes!


Comedy

Aimee Williams
Testing the adaptability of a literary and theater masterpiece, Josh Whedon’s Much Ado About Nothing obliterates all of the pomp and ceremony typically associated with a Shakespeare production, bringing it down to earth in Southern California.
 
Wednesday, June 19, 2013

The Monk

I vow that it’s a gem.


Thriller

Rod Lott
For several years, I’ve intended to read Matthew G. Lewis' 1796 novel, The Monk. I even bought a snazzy trade-paperback edition with an introduction from Stephen King. Never got around to cracking it open.
 
Thursday, June 20, 2013

Blancanieves

Heigh-ho, heigh-ho, it’s off to the arthouse we go, for Spain’s ‘Blancanieves,’ the most unique twist on the Snow White story you’re apt to see.


Drama

Rod Lott
Blancanieves
5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$6-$8

 
Wednesday, May 15, 2013

Gimme the Loot

A graffiti duo plays a game of tag in a charming crime dramedy.


Drama

Aimee Williams
Gimme the Loot
7:30 p.m. Thursday, 5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$6-$8
 
Wednesday, June 26, 2013

Fill the Void

Love and marriage don’t always go together like a horse and carriage, as this Hebrew-language drama shows.


Drama

Aimee Williams
From the first scene, it’s clear Fill the Void is a rare, if not voyeuristic look into the concealed lives of a seemingly impermeable religious community.
 
Wednesday, July 10, 2013

The Naked Jungle

Red and black antennas waving, they all do it the same.


Drama

Rod Lott
Charlton Heston comes second-billed to eventual Sound of Music baroness Eleanor Parker in 1954's The Naked Jungle. Nowhere in the credits is there room to list the true stars — or at least the reason for watching: millions and millions of mean-ass ants.
 
Monday, July 15, 2013

The Way, Way Back

Although pleasant, this dramedy works too hard to offer so little.


Drama

Zach Hale
If there’s any type of movie unlikely to offend, it’s usually the coming-of-age story. Films with a relatable central character are more likely to instill a heavy rooting interest in its audience, as we empathize with the protagonist as the story unfolds.
 
Wednesday, July 17, 2013

Welcome to the Punch

Lands a weak ‘Punch.’


Thriller

Rod Lott
Overlook the confounding title of Welcome to the Punch; it's the least of the British film's troubles. And that's too bad, because its rip-roaring opening chase had its hooks in me tight.
 
Tuesday, July 23, 2013

42

A solid hit.


Drama

Phil Bacharach
In chronicling the real-life tale of Jackie Robinson, who broke Major League Baseball’s color barrier in 1947 when he joined the Brooklyn Dodgers, 42 is schmaltzy, sentimental and shameless. There is no dabbling in highfalutin niceties like subtext or nuance. Writer-director Brian Helgeland, who penned the hardly simplistic L.A. Confidential, keeps his focus simple and is content to let his hero worship fly.
 
Tuesday, July 23, 2013

The Jeffrey Dahmer Files

“Go look in the refrigerator.”


Documentary

Rod Lott
Understandably, a documentary about serial killer Jeffrey Dahmer that weaves fictional elements with fact sounds like a wretched, evil, exploitative thing. Instead, it's a small marvel of microcinema — and another argument for the storytelling power of the nonfiction format.
 
Thursday, July 25, 2013
 
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