For one thing, you’ve got Tulsa’s strongest male singer, and for another, you’ve got him covering one of the GOATs (greatest of all-time). What more do you need? Here’s Ben Kilgore singing Otis Redding’s immortal “These Arms of Mine”:
Spike Jonze puts a Spike Jonze twist on old hip-hop schtick for ‘Otis.’
I can’t think of a more tired concept for a hip-hop music video than a couple of pop stars riding around in an expensive car with a handful of models. But somehow, director Spike Jonze does exactly that and winds up with a classic. He’s come a long way since getting high in high school.
For starters, ’Ye and Jigga strip down a Maybach to look more like a luxury Jeep Wrangler, and then they start playing with fire. Literally. Watch for yourself. And keep an eye out for a brief Tom Haverford cameo. I wonder if they shot it in the City of Pawnee?
“I can see for miles, miles, miles,” Justin Vernon coos three different times during “Holocene.” Director Nabil first syncs this line up in the below video with a beautiful wide shot of what seems to be Icelandic landscape. Everything seems infinite in that little moment.
Watch as a bucktoothed kid in a hooded sweater explores the beautiful country outside of his home.
Something tells me that David Foster Wallace would’ve really enjoyed this reimagining of the game of Eschaton, one of the most hilarious and creative scenes from “Infinite Jest,” his 1,000+ page novel that’s full of them. Simultaneously a huge Decemberists and DFW fan, director Michael Schur (TV’s “Parks and Recreation”) is the big winner here. Read what he told NPR, then watch below.
“The Decemberists are my favorite band, and ‘Infinite Jest’ is my favorite book,” Schur said. “This was tantamount to telling me I had just won two simultaneous Powerball lottery jackpots, on my birthday, which was also Christmas.”
Okie punks whip up a frenzy at their album release show.
If you’ve still yet to attend* a Broncho show, you are mistaken.
Luckily, you’ve got a chance to fix that problem tomorrow, when they play the OU campus with Stardeath and White Dwarfs and Chrome Pony. If this video of their recent vinyl-release show at Guestroom Records doesn’t get you excited for it, then you might need to reevaluate your existence.
It’s also worth pointing out that this thing, shot in black-and-white by Nathan Poppe, is probably one of the budding director’s finest spontaneous works. The gritty close-ups and use of contrast is top-notch, and as they say, he’s not afraid to get right in the middle of the fray.
*I use the term “attend” loosely here. A Broncho show is really more like something you survive.
You probably didn’t expect someone admit to Huey Lewis’ coolness today, did you?
It’s too bad that Marnie Stern’s session with The A.V. Club’s “Undercover Series” wound up unusable due to technical difficulty, because I’d have been a lot more interested in hearing an interpretation of Huey Lewis from a very different artist.
However, with The Hold Steady, we do get to hear a couple of pretty solid, cheesy guitar solos from Tad Kubler and Steve Selvidge. Now close your eyes and try to re-envision “Back to the Future” through a Hold Steady lens.
Wanna be in a music video? Then director Richard Farmer and singer/songwriter Luke Dick, both Okie vets, sure could use you and your aggression. They’re be shooting a vid for Dick’s new song, “Who Am I,” on Sept. 10 in the Film Exchange District.
The concept: beating the crap out of an automobile.
“I’ve always wanted to capture the sledgehammer tradition in a video in some sensational fashion, especially for such a bombastic tune,” said Dick in a press release. “Over dinner, I was telling Oklahoma entrepreneur Chip Fudge about the idea of a video with apocalyptic Okies bashing a car. Being such an ol’ gear head, he got a big smile on his face and said, ‘I want to be a part of that! What better place than the Film Exchange for a film event?’”
Sound like a plan? Here’s the deal: • Meet at 5:30 p.m. in the parking lot behind Joey’s Pizza, IAO Gallery and the Hart Building, in the 700 block of West Sheridan. • Donate $5 at the gate, benefiting Bikers Against Child Abuse. • Be 18 or older. • Dress in a letter jacket or a prom dress, and in skeleton makeup. • Read that last one again; you weren’t hallucinating. • Don’t worry — you’re in good hands. Farmer directed Gnarley Barkley’s “Run” video, after all. • And until then, enjoy this clip of Dick covering Lady Gaga’s “Paparazzi.” Hey, it worked for that kid in Edmond. —Rod Lott
Tulsa’s Dead Sea Choir performs the aggressive, rhythm-driven ‘Mathemagician.’
Dead Sea Choir showed up in Norman with new material two weekends ago to remind everybody that they are, indeed, totally awesome. And thanks to YouTube user BossHossV8Cycles, you, too, may experience what they’ve been cooking up lately. Enjoy.
Help celebrate Pink Floyd Week on the late-night show!
It’s not exactly super-often that any founding members of one of history’s most seminal bands really say much in public, so it was very cool to see Mr. Waters show up Tuesday on “Late Night with Jimmy Fallon.” Here’s a great little nugget from his interview with Fallon:
“One of the tutors in our first year was a man called Mike Leonard … and he had a Volkswagen van and a Farfisa organ, so we let him be in the band.”
Stop-motion master Kyle Roberts hooks up with The Nghiems to produce the year's most fun local video.
If you're not familiar with Norman band The Nghiems (pronounced “Nims”) or the terrific things that Reckless Abandonment Pictures' Kyle Roberts is up to, then take five minutes to familiarize yourself.
It's pretty awesome that each member of the band has his or her own signature video-game moves in the video for "Dum Dum Dah Dah" (my favorites are James' on-the-ground forcefield drumroll and just getting to watch Jen kick butt in general), but what's really kind of amazing is the fact that David Nghiem apparently dreams in a video-game format.
Also, watch for Tyler Hopkins and Tanner Blair, who are probably the two most convincing bad guys I never would have considered to be bad guys. And there just can't be enough said about how fun-loving and silly Roberts' stop-motion stuff is. Be sure to check out "Battle of the Bonds," too, if you haven't already.