Turning Japanese? Do you really think so? Then head over to ACM@UCO tonight for Boris!
Boris — whose repertoire includes everything from heavy metal to pop to art punk — may hail from Tokyo, but its roaring sound is rarely lost in translation. The Japanese trio has been churning out solid tunes for nearly 20 years, at first through their own label (the hilariously named Fangs Anal Satan) and more recently on stoner-metal label Southern Lord.
The band made its first big splash stateside with the release of 2005’s critically acclaimed “Pink” and carried that momentum forward with four studio albums from 2006 to 2008 and an eruption of new material in 2011 that made its way onto three full records: “New Album,” “Heavy Rocks” and “Attention Please.”
Boris has steadily toured the U.S. for well over a decade — including a major gig supporting Nine Inch Nails in 2008 — and it’s right in the midst of its latest run of dates, which included an appearance at Fun Fun Fun Fest in Austin on Sunday.
The band makes a stop tonight at the ACM@UCO Performance Lab, 329 E. Sheridan, the site of the former Green Door. Through an interpreter, drummer Atsuo took the time to talk about being workaholics, mixtapes and Boris’ label as a Japanese heavy-metal act.
OKS: You guys have been playing together for almost 20 years now. How have you evolved and improved the most over that time?
Atsuo: We've just been learning who we are and how big we are in terms of what our capacity is. Who you are and who you think you are. We've learned a lot, but at the end, we just realize who we are.
OKS: You released three studio albums this year. What led you guys to wanting to cram that much new music into a single year rather than spreading it out?
Atsuo: We are just being total workaholics. After tours, we always just want to get back to the studio and start recording. We had a tour before this big American tour, and we've already made 20 songs between them. It's just how we roll.
OKS: What about each of these albums are you most proud of? What do you think you did best on each one?
Atsuo: There was an unreleased album, in our minds, that was meant for 2009. That album led to the two albums — "Attention Please" and "Heavy Rocks" — and "New Album" was a sort of combination of those two. We wanted the audience to hear between the lines or albums or songs the different arrangements. If the audience can enjoy the difference and decide what they like better and ask questions about that to themselves, that was our goal.
Music doesn't have answers. The industry has always been trying to give answers, like we are trying to do this or trying to do that. Listening to bootlegs and mixtapes or different sources of the same song, the definition of the song expands between the takes. Everybody should open their mind to realize that sometimes there is no answer and the searching itself is the fun thing, not knowing the answer. That's what we were trying to express through those albums.
OKS: You are probably best known for your heavier, metal stuff, but you play a lot of different of styles of music. What keeps you from committing to any one genre and what makes you want to explore those different sounds?
Atsuo: To us, the genre, the word itself, it's whatever. We don't care. It's just a word. Every time we come to America, we are described as a Japanese heavy-metal band, and we're like, “We don't care.” It's whatever they want to call us. Putting someone into a genre is the easiest thing you can do.
OKS: How are the crowds in Japan and the U.S. different?
Atuso: We strongly feel that American culture is nothing like what we have in Japan. There are not that much support systems to do touring there, and the venues are just completely different. It's a club where you go listen to the music, but no one hangs out or drinks or socialize in the club at all. That difference is making touring in America much better.
OKS: What sort of plans do you have for the near future in terms of new music?
Atuso: We're confused with how the industry is taking us. These days, people think music is free. Maybe that has to change or there's no more physical records or anything like that. We'll just have to see.
A controversial cartoon concerning Martin Luther King Jr. will be screened at UCO.
As part of its “King Week” activities in observance of Monday’s national Martin Luther King Jr. holiday, the University of Central Oklahoma has a unique screening planned: an episode of the Adult Swim animated series “The Boondocks.”
Based on the daily comic strip by Aaron McGruder, “The Boondocks” has proven both popular and highly controversial since beginning its run on Cartoon Network’s late-night block in 2005.
At 1:30 p.m. Jan. 19, you can see why. The first-season episode “Return of the King” will be shown in Room 300 of the Nigh University Center. Originally aired on King’s 77th birthday, the ep won a Peabody Award in 2006, but not without some serious feather-ruffling.
“Return” imagines that King wasn’t felled by his assassin’s bullet. Instead, he plunges into a three-decade coma, only to awaken to find he doesn’t like the African-American leaders who have emerged in his absence: “Is this it? This is what I got all those ass-whoopings for? ... I've seen what's over the horizon, and I promise you, you niggas have nothing to celebrate! And no, I won't get there with you.”
No stranger to complaining to the press, an offended Rev. Al Sharpton demanded an apology and that the episode be pulled. Instead, the network issued a statement that read in part, “We think Aaron McGruder came up with a thought-provoking way of not only showing Dr. King's bravery, but also of reminding us of what he stood and fought for.”
A discussion will following the screening, which is free and open to the public. For more information, call 974-3588. —Rod Lott
Few public policy myths
have been as persistent as the one that espouses the elimination of the
state’s personal income tax as the key to enhancing Oklahoma’s economy.
As a result, it appears that this myth is about to have its day.
OKG7 things to do Gazette staff
Perhaps last seen sleeping with Michael Scott on “The Office,” actress
Linda Purl takes a different kind of Mike — the microphone — when she
appears in concert at 7:30 p.m. Saturday.