Sunday 20 Apr
 
 
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OKG Newsletter


Topic: rent

Searching for Sugar Man

A true story that's truly sweet.


Documentary

Phil Bacharach
This is a golden age of documentaries, and I don’t mean the propagandistic variety via Michael Moore or 2016: Obama’s America. Given the pervasive timidity and lack of imagination in Hollywood today, film buffs are well advised to take stock of documentaries, where the most gripping stories are being told.
 
Wednesday, January 16, 2013

The Possession

This is why you shouldn’t go antiquing.


Horror

Rod Lott
Certainly I’m not the only one who confused The Possession and The Apparition when they played theaters late this summer. After all, the two horror films not only had soundalike titles and shared similar premises, but opened within seven days of one another.
 
Thursday, January 17, 2013

The Thompsons

More ‘True Blood,’ less ‘Twilight,’ thankfully.


Horror

Rod Lott
One need not have seen 2006’s The Hamiltons before seeing its new sequel, The Thompsons. Heck, one need not even have heard of it, as I suspect many haven't.
 
Friday, January 18, 2013

Diana Vreeland: The Eye Has to Travel

An icon of fashion takes the spotlight.


Documentary

Phil Bacharach
You might not know it, but chances are Diana Vreeland has a great deal to do with what you think when it comes to fashion, style and design. As fashion editor for Harper’s Bazaar and, later, editor of Vogue, she injected post-World War II America with an almost revolutionary sense of, as she put it, “pizzazz.”
 
Friday, February 8, 2013

Kill for Me

Roomies, sheesh!


Thriller

Rod Lott
Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda (Katie Cassidy, TV’s Arrow) finally gives in to getting another roommate, Hailey (Tracy Spiridakos, TV’s Revolution). The two college students turn out to have something in common, however: abusive men.
 
Friday, February 8, 2013

Nobody Gets Out Alive

Slash ’n’ trash.


Horror

Rod Lott
Horror fanatics making horror movies is the worst thing about today’s horror movies — worse than remakes, The CW casts and the PG-13 rating. And I say that as a critic who loves the genre.
 
Tuesday, February 12, 2013

The Factory

The ending is a crime.


Thriller

Rod Lott
Can a bad ending ruin an otherwise OK movie? In the case of The Factory, I believe it can.
 
Tuesday, February 12, 2013

Seven Psychopaths

And one derivative picture.


Comedy

Rod Lott
Seven's not a lucky number in the case of Seven Psychopaths, writer/director Martin McDonagh’s follow-up to the Oscar-nominated In Bruges. In fact, the math is all wrong, as I kept waiting for its disparate elements to add up. Unfortunately, it never did.
 
Wednesday, February 13, 2013

Bath Salt Zombies

More than just a tantalizing title.


Comedy

Rod Lott
It’s kind of amazing how far $5,000 can get filmmakers these days, especially when Dustin Mills is in charge of the cash. Having helmed the inventive Puppet Monster Massacre and, less effectively, Zombie A-Hole, he now sets his deranged sights on designer drugs in Bath Salt Zombies. As one could surmise, it, too, sits squarely in the DIY horror-comedy realm.
 
Friday, February 15, 2013

Sinister

It’s reel scary.


Horror

Rod Lott
Although horror movies rarely scare me, I love them. The most I can hope for is to be creeped out sufficiently, and Sinister satisfies that bill.
 
Saturday, February 16, 2013
 
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