Monday 28 Jul
 
 
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OKG Newsletter


Topic: james

Electra Glide in Blue

The best ’70s cult classic you’ve never heard of.


Drama

Rod Lott
James William Guercio has one of the finest track records in cinema history, because each and every film he directed not only has been great, but became a cult classic. It is titled 1973's Electra Glide in Blue.
 
Friday, May 31, 2013

Dead Souls

You don’t want ‘Soul’ custody.


Horror

Rod Lott
With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
 
Tuesday, June 11, 2013

This Is the End

If only that were true ...


Comedy

Louis Fowler
To me, few things are as annoying as being stuck in a conversation with a group of stoners who’ve spent most of the day tokin’ it up.
 
Friday, June 14, 2013

Tower Block

England has a strange concept for rent control.


Thriller

Rod Lott
Quietly — too quietly — Shout! Factory has been supplementing its lineup of tried-and-true cult classics with quirky genre offerings from overseas, like South Korea’s Quick, Denmark’s ID:A and now, albeit to a lesser degree, the UK’s Tower Block.
 
Friday, June 21, 2013

The Incredible Burt Wonderstone

Abracadaverage!


Comedy

Rod Lott
There’s nothing wrong per se with The Incredible Burt Wonderstone. It just desperately lacks the edge you know it had to have at some early stage, but lost somewhere in all the tinkering to tailor it to a widest-possible audience. Enough hints of it remain to make the movie worth a watch — perfectly agreeable, if perfectly forgettable.
 
Tuesday, June 25, 2013

Gimme the Loot

A graffiti duo plays a game of tag in a charming crime dramedy.


Drama

Aimee Williams
Gimme the Loot
7:30 p.m. Thursday, 5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch
okcmoa.com
236-3100
$6-$8
 
Wednesday, June 26, 2013

Crimewave

We find it guilty ... of being underseen!


Comedy

Rod Lott
I’m the weird guy who saw Sam Raimi’s Crimewave before I saw Sam Raimi’s Evil Dead. Four or five times.
 
Thursday, June 27, 2013

The Way, Way Back

Although pleasant, this dramedy works too hard to offer so little.


Drama

Zach Hale
If there’s any type of movie unlikely to offend, it’s usually the coming-of-age story. Films with a relatable central character are more likely to instill a heavy rooting interest in its audience, as we empathize with the protagonist as the story unfolds.
 
Wednesday, July 17, 2013

Welcome to the Punch

Lands a weak ‘Punch.’


Thriller

Rod Lott
Overlook the confounding title of Welcome to the Punch; it's the least of the British film's troubles. And that's too bad, because its rip-roaring opening chase had its hooks in me tight.
 
Tuesday, July 23, 2013

The Jeffrey Dahmer Files

“Go look in the refrigerator.”


Documentary

Rod Lott
Understandably, a documentary about serial killer Jeffrey Dahmer that weaves fictional elements with fact sounds like a wretched, evil, exploitative thing. Instead, it's a small marvel of microcinema — and another argument for the storytelling power of the nonfiction format.
 
Thursday, July 25, 2013
 
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