Monday 21 Apr
 
 
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OKG Newsletter


Topic: porn

Heavy Traffic

It's a Heavy cartoon.


Comedy

Patrick Crain

Ah, the early days of video stores. Most every city, burg and/or township had that one glorious store with one copy of everything. OKC had Kaleidoscope Video Stores; Mid-Del had Bob’s Video; and in the dark regions of Bob’s Video sat the “adult” movies which were basically comprised of Paul Morrissey’s Flesh For Frankenstein and Blood For Dracula and Ralph Bakshi’s two X-rated cartoons, Fritz the Cat and Heavy Traffic. Oh, how I wanted to see all these movies! Of course, as an eleven-year-old, I never had the gumption to try to rent any of them out of fear I would be ejected from the store and banned for life.

 
Tuesday, August 27, 2013

The Ultimate Life

Local screenwriter Lisa Shillingburg’s dreams come true with the debut of The Ultimate Life.


Drama

Louis Fowler
Even with The Ultimate Life’s imminent release, it didn’t truly hit Edmond screenwriter Lisa Shillingburg that her screenplay for the movie was becoming a reality until she noticed a standee one afternoon at the movies.
 
Wednesday, September 4, 2013

Blancanieves

Heigh-ho, heigh-ho, it’s off to the arthouse we go.


Drama

Rod Lott

Once upon a time, the idea of a film being silent, foreign and — steee-rike three! — black and white equated to box-office poison. Then 2011’s The Artist won five Academy Awards, including Best Picture; earned $133 million worldwide; and lived happily ever after.

 
Tuesday, September 3, 2013

Now You See Me

Now you do.


Thriller

Rod Lott
On second viewing, the sheer amount of artifice on which Now You See Me is built comes to the forefront. Yet knowing its secrets doesn't detract from its status as an enormously entertaining confection.
 
Tuesday, September 3, 2013

The Black Waters of Echo's Pond

Don't even dip your toes.


Horror

Rod Lott

To paraphrase a character late in The Black Waters of Echo's Pond, anything to get off this movie. From the start, director Gabriel Bologna (The Asylum's 30,000 Leagues Under the Sea) has no real hold on the material; what little there is gets so far away from his grasp that his last name proves accidentally apt.

 
Tuesday, September 3, 2013

Running Deer

Brent Ryan Green’s award-winning short captures Native American life positively on film.


Drama

Louis Fowler

Most people toil away at film school for years before they even touch a movie camera. Not Oklahoma City director Brent Ryan Green. He went about it the old-fashioned way: learning by doing.

 
Wednesday, September 11, 2013

Stories We Tell

Family matters.


Documentary

Rod Lott
Stories We Tell is not only one of the year's best documentaries, but one of the format's more unique exercises of our time. You may have seen a story of this type before — just not told in this imaginative a fashion. I was reminded of the rush I felt encountering Errol Morris' The Thin Blue Line or Michael Moore's Roger & Me in the late 1980s, and thinking, "Wow, a documentary can be like this, too?"
 
Tuesday, September 10, 2013

Star Trek Into Darkness

Boldly going again.


Sci-Fi

Rod Lott

With the run of original Star Trek films, there's a long-standing theory that only the even-numbered entries are good, i.e. Star Trek II: The Wrath of Khan, Star Trek IV: The Voyage Home, Star Trek VI: The Undiscovered Country. Well, that theory does not apply to director J.J. Abrams' rebooted franchise; both of his voyages of the starship Enterprise — 2009's Star Trek and this summer's sequel of Star Trek Into Darkness — stand strong as successes across the board: creative, critical and financial. 

 
Tuesday, September 10, 2013

The Mole Man of Belmont Avenue

Didn't dig it.


Comedy

Rod Lott
Tenants of a low-rent apartment building have some problems: The electricity has been shut off; their pets are disappearing under mysterious circumstances; and worst of all, they're stuck in a horror comedy that's not the least bit amusing: The Mole Man of Belmont Avenue.
 
Tuesday, September 10, 2013

Évocateur: The Morton Downey Jr. Movie

Mort! Mort! Mort! Mort!


Documentary

Rod Lott
In 1987, The Morton Downey Jr. Show burst out of nowhere — New Jersey, to be precise — and became a near-instant phenomenon, turning its loud-mouthed, chain-smoking host into the titan of trash TV. Less than two years later, ratings plummeted along with Downey's career. 
 
Tuesday, September 10, 2013
 
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