Monday 21 Apr
 
 
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OKG Newsletter


Topic: porn

Ain't Them Bodies Saints

Dallas-based director David Lowery breaks through with a challenging and provocative crime romance.


Drama

Zach Hale

Ain’t Them Bodies Saints
5:30 and 8 p.m. Friday-Saturday, 2 p.m. Sunday
Oklahoma City Museum of Art
415 Couch Drive
okcmoa.com
236-3100
$7-$9

 
Wednesday, September 18, 2013

The Fugitive: 20th Anniversary Edition

Still runs like a charm.


Action

Rod Lott

Although The Fugitive was a monster hit in the summer of 1993, it seems to have been lost to the ages. It shouldn't. Perhaps Warner Home Video's 20th-anniversary Blu-ray will help see to that. Remember, folks, this movie was up for Best Picture at the Academy Awards — an action film!

 
Tuesday, September 17, 2013

The Lords of Salem

Zombie Nation!


Horror

Patrick Crain
To put it politely, the cinema of Rob Zombie is fairly polarizing. Some folks love him, some folks hate him, and there just aren’t a whole lot of people in the middle. Over the course of 10 years, he has made six feature films and one of the fake trailers for the Rodriguez/Tarantino experiment, Grindhouse. Chances are, you either think all of his films are good or, at least, have some kind of merit or are just revolted by the notion that anyone allows him near a camera. The Lords of Salem is unlikely to make anyone jump from his or her respective camp, but it’s also his best film to date and an amazing piece of contemporary horror.
 
Tuesday, September 17, 2013

The Bling Ring

Kids do the darndest things.


Drama

Rod Lott

Even my children's worst moments are still above the best moments of the snotty, self-absorbed, home-schooled brats of The Bling Ring, Oscar winner Sofia Coppola's follow-up to 2010's snooze-worthy Somewhere.

 
Tuesday, September 17, 2013

Targets

A dead-on classic.


Thriller

Rod Lott

Inspired by the dirty doings of mass murderer Charles Whitman, 1968's once-controversial Targets is the first true film directed by Peter Bogdanovich and also — I think, despite Oscar love for his '70s work — his best. It's also one of Warner Archive's finest rescues from out-of-print oblivion yet.

 
Tuesday, September 17, 2013

Wish You Were Here

Why I'll never go to Cambodia


Thriller

Rod Lott
Bearing an ironic title, the Australian film Wish You Were Here tells the story of four people who vacation together to Cambodia (of all places), yet only three return home. Jeremy (Antony Starr, TV's Banshee) goes missing after an Ecstasy-fueled party; foul play is feared, although his passport and bank account remain untouched. 
 
Tuesday, September 17, 2013

An American Hippie in Israel

Psyche-dull-ic.


Drama

Rod Lott

If you don't already hate hippies, An American Hippie in Israel just might shove you into that corner. The 1972 oddity by first- and last-time filmmaker Amos Sefer is as odd as it is unsubtle; this is a film that runs its lone point into the ground with the weight of … well, the steamroller that flattens the flowers in the opening credits. Get it?

 
Tuesday, September 17, 2013

Lady in a Cage

Histrionics, bar none.


Thriller

Rod Lott
Unleashed to home video enthusiasts again — this time courtesy of Warner Archive — 1964's Lady in a Cage traps the elderly Cornelia (the legendary Olivia de Havilland, Gone with the Wind) in an elevator. The lift isn't in an office building or department store, but in her own home; the cane-leaning Cornelia's been using it to bypass stairs after breaking her hip.
 
Friday, September 20, 2013

V/H/S/2

Rewind of the living dead.


Horror

Rod Lott

I get why last year's found-footage anthology, V/H/S, proved so divisive to horror audiences. I don't agree with it, but hey, it makes my job reviewing the sequel so much easier: If you liked V/H/S, just press play on V/H/S/2; if you didn't, don't even start.

 
Monday, September 23, 2013

Psycho II / Psycho III / Bates Motel

We all still go a little made sometimes for Norman.


Horror

Rod Lott
Let's all acknowledge something right away: No matter who was involved creatively, no follow-up ever was going to match the greatness of Alfred Hitchcock's Psycho. When a film proves as revolutionary as that 1960 shocker was, the bar is set impossibly high.
 
Monday, September 23, 2013
 
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