Lelia Broussards Masquerade is an unassuming, bouncy, acoustic-based female singer/songwriter record that I unabashedly love even though theres absolutely nothing unique about it.
Its an inversion of Adeles 21: While Adele is working hard to take the world by storm with her gravitas and emotive power, Broussard will soon be breezing through the indie scene with perkiness and wonder.
Whats tough to determine is why Masquerade works so much better than other offerings in this genre. Theres no standout element that punches her sound through the mediocre barrier to awesome; the songs as entire pieces are just incredible. The whole is much more than the sum of its parts. The closest comparison is Ingrid Michaelson (the two are similar vocally and instrumentally), but Michaelson has more of a eye toward the epic than than Broussard (see the glorious You and I for proof).
Nope, Broussard doesnt even have an obligatory epic number here. Theres no obviously playing to the crowd acoustic guitar solo track, either. This is a straight-up collection of excellent tunes with trends ignored, thank you very much. Heart Collectors is a haunting song, showcasing her arrangement skills; the title track is a bouncy tune that is cute in the same way She and Him is cute, but without the vintage aspects. Satellite has clapping involved, so you know its good. Shoot for the Moon is just solid all around, featuring some great keyboard contributions.
The only clunker on the whole disc is the bitter closer, Hipster Bitch. It doesnt fit her vibe, lyrically or musically, as its downright angry. But since its last, I just stop listening at track nine.
If you like Michaelson, old-school Regina Spektor or indie singer/songwriters of that ilk, Masquerade will steal your heart away. Be prepared for that.