It does not matter how many performances, rehearsals or college lessons Oklahoma City Philharmonic cellist Valorie Tatge has gone through in a given day. There is always work to be done at home, too.
Tatge, a Norman native, has been a member of OKC Phil for the last 25 years. Even with her large body of experience, there is always an unending list of new pieces for her to memorize.
Ive got a stack on the piano at all times, she said, so youre always just working on it.
Though she only spends a fraction of her total time performing for an audience on the Civic Center Music Hall stage, Tatge hardly ever truly clocks out. Playing on ones own time and learning new pieces is part of being a professional musician. Cello is integral to the way Tatge lives her life.
It really is all cello all the time, she said.
That level of dedication might sound overwhelming, but Tatge would not have it any other way. Her job directly improves the quality of peoples lives and provides joy to the community. She is not sure what could be more rewarding.
Im constantly looking for more ways to get more music out into the community, Tatge said. Its such a wonderful thing; its so appreciated. People love it.
It draws up a musical memory, she said. They always say, Oh, I used to play this, or, My favorite song is this. Theres always an example. Its something people can relate to.
Tatge realized the power of music, particularly when played live, at a young age. She grew up playing piano but fell in love with the cello thanks to Norman Public Schools orchestra program. She went on to study music at the University of Oklahoma. Life as a professional musician always felt like her destined calling.
She joined OKC Phil in 1992 after participating in an open tryout. Since joining the orchestra, she has performed in innumerable programs in the state for not only OKC Phil, but for The Norman Philharmonic, Oklahoma City Ballet and nationally touring productions.
Tatge said OKC Phil musicians typically get a program schedule for the upcoming season in the summer. (OKC Phils season usually begins in the fall.) But they dont get actual orchestra parts to practice until a few weeks before.
There wont be any more than a handful of rehearsals for a given program, but those rehearsal dates are packed tight. The orchestra will typically meet four consecutive days before a Classics performance and maybe just one or two times before a Pops production.
They always practice together, usually on the Civic Centers main stage. But none of the schedule rehearsals account for the many hours each musician spends practicing on their own time.
I play as much as I can possibly squeeze in, Tatge said.
When stacking her education duties on top of OKC Phil program scheduling and personal practice time, things can eventually come to a head.
When the holiday season begins and [OKC Ballets] The Nutcracker starts, Tatge said, and youre doing all your church gigs and youre trying to get all your students prepared for contest, the things start piling up and you keep thinking, Oh, Im busy every minute.
Still, the cellist does not mind the time demands. She loves teaching just as much as she loves performing. Her orchestra teachers had such an impact on her growing up that she always knew she would one day return to teach herself.
I admired my teachers so much and they were like parents to me, or like a different kind of parent, she said. They showed me things and helped me and they helped so much. I would just love it if a younger person thought I was doing that for them giving that much back.
As an instructor at the university level, Tatge said she has some students who want to become professional musicians and others who just play cello because it is what they have always done and its what makes them happy. She loves to see players with different career aspirations still playing.
Thats always fun because they always have a great time during the lessons, she said.
After all these years, Ive played so much music, but theres so much out there, she said. Theres always a new piece coming at you.
Still, Tatge is ever the optimist. She enjoys being busy because she genuinely loves cello and playing music for a captive audience. It is such a large part of her life that at slower times, like in the summer, things seem a little off.
Sometimes you get a little antsy when you do have some down time, she said. Youre always like, Oh, what am I missing?
Tatge said of all the things she gets to do, the most rewarding part of her job is having a great number of incredibly talented colleagues.
There are so many fabulous musicians in our town, she said. Its such a treat to work with any and all of them.
Tatge has been a member of OKC Phil for 25 years, and there are several other musicians who have been part of the orchestra for as long or longer.
Having longtime colleagues is not something unique to the orchestra life, but Tatge said something special happens between orchestra players after years of shared immersion in classical music. They extend joy not only to their audiences, but to each other as well.
It really is a second family, she said. You see each other so often. Youre working together every night, every day. But yeah, its a special feeling to go and work with them.
Print headline: Hello, cello; Oklahoma City Philharmonic cellist Valorie Tatge balances performing, rehearsing and educating in her weekly work schedule.