Sunday 19 May
 
 
CD reviews

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0

SXSW: Wild Belle / Zulu Winter


Chill reggae/indie-pop and atmospheric dance-rock

By Stephen Carradini March 17th, 2012

After a break for dinner and a passing stop at Matt Corby's set (that dude can wail), we headed to Antone's to hear Glen Hansard (of the movie Once and the band Swell Seasons). Before he took the stage, we were treated to Wild Belle and Zulu Winter.



Wild Belle's set was an impressive mix of female vocals, reggae, and indie-pop. Much like David Ramirez, the songs introduced an infectious mood to the room; in contrast to the former artist, Wild Belle's mood was one of good times and chill vibes. The band was incredibly professional, putting the music before their image. Even though they had a beautiful woman as their lead singer, they respectfully didn't play this element up in their visual or musical identity; she was a member of the band like the rest of the members. This is refreshing in the pop music world.

Their songs were augmented by keys and some tasteful electronic elements; it was clear that the rhythm and overall texture of the piece was more important than any one sound. They succeeded in that endeavor, creating a tight set that left everyone in a good mood.


Zulu Winter quickly set up and capitalized on the audience's good mood. LCD Soundsystem was a clear touchstone for the band's sound, as the bass guitar and atmospheric synths played a huge role in their dance-rock. The band's songs created interesting tensions, which is a fundamental element of good dance-rock; the drums, bass and guitar often played off each other. The vocalist had a solid set of pipes, but the main draw was the instruments; to this end, I would have liked to hear more instrumental interplay and less vocals.

But on the whole, it was a fun set that had some in the audience shimmying, and I was happy to have seen it. I'll keep a close ear to their music to see if they will develop into the band that takes up LCD Soundsystem's mantle as the thinking-man's dance band.

Photos by Matt Carney


 
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