So don’t complain that you have to read subtitles; literacy is good for you. Depicting the theft of a national treasure from a seemingly impenetrable art vault, a 10-minute prologue puts viewers right in the mood for its jaunty, addicting vibe — one that marries the globetrotting derring-do of the Mission: Impossible franchise with the […]
Rod Lott
Posted inArts & Culture
Nature Calls
Heading it is comedian Patton Oswalt (Young Adult), here doing a variation of his ever-reliable, ever-lovable teddy-bear character as Randy. A second-generation Scoutmaster of the Boy Scouts of America, he has inherited his father’s once-vibrant Troop 5516. Today, however, in an Xbox age, enjoying the great outdoors holds no appeal to most kids. As one […]
Posted inArts & Culture
Citadel
Infected by the syringe the hoodlums plunge into her, she ends up in hospice, but doctors are able to save the baby, a girl who’s happy and healthy — basically, everything Tommy is not. In fact, the trauma has turned him into a barely functioning agoraphobe. Not only is he afraid to leave the house, […]
Posted inArts & Culture
All Superheroes Must Die
The low-budget effort’s premise takes a page from Saw: Tired of “asshole goody-two-shoes getting in the way,” the career criminal who calls himself Rickshaw (James Remar, TV’s Dexter) wants his archenemies — this story’s superheroes — to play a game. He has kidnapped 100 innocent civilians, rigged them to explosive devices and scattered them across […]
Posted inArts & Culture
End of Watch / Officer Down
David Ayer has spent much of his career chronicling the life of Los Angeles law enforcement in his screenplays for Training Day, S.W.A.T. and Dark Blue, and directing Street Kings. With End of Watch, he pulls double duty. The result is an invigorating, pulse-pounding crime drama. Through a found-footage gimmick that really isn’t necessary to […]
Posted inArts & Culture
Why Stop Now
In the kind of one-note part that threatened to kill his career before the one-two punch of Zombieland and The Social Network saved it, Jesse Eisenberg stars as Eli, a young man with a bright future as a pianist ahead of him, if not for having to act as a surrogate father for his own […]
Posted inArts & Culture
Cherry Tree Lane
Likely, that film opens with an unspeakable act that calls for retribution, and ends with said retribution being achieved. And in the middle are cat-and-mouse games and close calls and rounds of table-turning to keep conflict chugging. Cherry Tree Lane, however, removes that midsection, condensing the story to assumedly real time. In between its bookends, […]
Posted inArts & Culture
Brian Keene’s Ghoul
Brian Keene’s Ghoul is not it. Based on his 2007 paperback and new to DVD, the misleading movie is another of the Chiller cable channel’s in-house films, none of which have impressed me thus far, but continue to get a little bit better with each outing. What this nice-looking effort has going for it is […]
Posted inArts & Culture
The Thompsons
Personally, I went in to The Thompsons relatively cold, having heard of its big brother, but never having caught up with it. In doing so, I felt like I had jumped onto a sitcom in its second or third week: I could immediately get into its groove without knowing the backgrounds of the players. All […]
Posted inArts & Culture
The Possession
Now that the former has followed the latter onto Blu-ray and DVD, the difference is startlingly clear: The Possession is by far the superior ghost story. I’d expect nothing less from Evil Dead mastermind Sam Raimi, who produced it under his Ghost House Pictures banner, which has brought some of the better entries in the […]