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Beauty Day

It debuts on demand Feb. 12 from FilmBuff. As Beauty Day informs us, Zavadil was a man before his time as cable-TV personality Cap’n Video, a David Lee Roth-looking, Jackass-style camcorder prankster who was doing his thing in the mid-1990s, before Johnny Knoxville and the gang even dreamt of getting paid to puke. Director Jay […]

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Kill for Me

For Hailey, it’s her dad (Donal Logue, Silent Night). For Amanda, it’s a stalkery ex-boyfriend. But problems can solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you. Director Michael Greenspan’s follow-up to the disastrous Wrecked is a marked improvement. It’s like a gender-swapped […]

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Mimesis

Look, at least it’s not the new Night of the Living Dead 3D: Re-Animation, but that’s another review. There’s not much to Mimesis beyond the one-line summary above. Various attendees at a horror convention are invited to an exclusive, super-secret party that turns out to be the “game” — one in which they are stuck […]

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Hara-Kiri: Death of a Samurai

In other words, if it’s all-out action you seek, stick to 13 Assassins. You won’t get that until about the last 20 minutes of Hara-Kiri, but I’d argue the wait makes the clash of swords sounding all the more sweet. I’d also encourage viewers to consider them companion pieces, and to consume both. Set in […]

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The Protector / Crime Story

Glickenhaus’ The Protector casts Chan in one of the Asian superstar’s three mid-’80s, ill-fated attempts at conquering American cinema, with the other two being The Big Brawl and The Cannonball Run. While this 1985 film is nowhere near the greatness of the product Chan churned out back home, it’s worth the while. It’s also now […]

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Black’s Game

1. Among its producers is Nicolas Winding Refn, the filmmaker who steered Drive straight to the top of my list of 2011’s best films. 2. It opens with a title card that translates to “BASED ON REAL HARDCORE SHIT.” 3. See No. 2; repeat as necessary. Based on a novel based on a true story, […]

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Paul Williams: Still Alive

Both documentaries deal with a musician wrongly presumed to be dead; the difference here is that the love comes straight from the director, Stephen Kessler (Vegas Vacation), whose impetus for the project is purely, deeply personal. With all the extra layers removed, I began to feel it, too; his adoration for his subject is infectious. […]

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