Equally affable as they are gruff, Sophie and Malcolm hustle the streets by day. By night, they’re a relentless tag-teaming duo. Literally, they tag the streets of New York, leaving their mark as would-be graffiti masterminds. When some Mets fans start spray-painting over their turf, Sophie and Malcolm come up with the idea to break […]
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The Incredible Burt Wonderstone
Its joke is that Burt Wonderstone (Steve Carell, Hope Springs) and Anton Marvelton (Steve Buscemi, TV’s Boardwalk Empire) are improbably coiffed stage magicians in Vegas à la Siegfried & Roy, but without the tigers. As glitzy and showy as they are painfully unhip, the two friends have been working together for 30 years, but a […]
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Tower Block
The title refers to an apartment complex built post-WWII, a title card informs us. Once attractive and affordable, the place deteriorated over the decades into England’s equivalent of Chicago’s infamous Cabrini-Green, to the point of demolition. As the thriller opens, only the top floor of Serenity House, aka Tower Block 31, awaits removal and rehousing. […]
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This Is the End
I wasted so much of my 20s hanging out with these 420-types, sitting bored in their thrift-store-furnished living rooms, desperately looking at my watch while the person who was usually my ride sank deeper and deeper into the couch as the thick whiffs of chronic sunk deeper and deeper into their lungs. They were all […]
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Dead Souls
Steve Niles’ Remains comic-book miniseries is terrific; Michael Laimo’s Dead Souls novel was average even by horror-paperback standards. Both resulting movies were directed by Colin Theys and written by John Doolan (the team behind Chiller’s inaugural telepic, Alien Opponent, not considered here because it’s not based on pre-existing material). Both also reside on a similar […]
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Electra Glide in Blue
That Guercio never made another movie is a shame, because so much of Electra Glide in Blue — an opening shot of the highway cutting through the Arizona desert, the introduction of the motorcycle-cop protagonist in full uniform, the haunting final minutes — reveal a keen eye for composition. Two years away from TV’s Baretta, […]
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Mold!
Opening with President Reagan’s infamous crack speech, the 1984-set Mold! unfolds in a secret facility deep within the Arizona desert. Scientists there have spent two years of funding on developing a strain of mold (they call it “stacky mort” to shorten its long, boring name) as an ecological weapon to destroy the Colombians’ drug fields […]
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Birdemic 2: The Resurrection
You asked for it, you got it. And you have no one to blame but yourself. Birdemic 2 is every bit as incompetent as its big bro, and then some: blurred images, sound dropouts, repeated establishing shots, public high-fives and leaden dialogue (“I don’t know about the movie business, but I know how to read”). […]
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Terminator Anthology
Cameron’s The Terminator of 1984 was and is a well-made piece of sci-fi trash that bears the ingenuity-on-a-budget scars of most Roger Corman graduates. If it proved a breakthrough for Cameron (who then earned the Aliens gig as a follow-up), it was arguably double that for its monosyllabic center, Arnold Schwarzenegger, then considered near-inconceivable as […]
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Hopper: A Journey into the American Dream — Tom Folsom
Folsom traces the life of Dennis Hopper through its four distinct phrases: Kansas farm boy, Method actor/James Dean worshipper, pharmaceutical madman, comeback kid. That he had a fourth at all continues to amaze me, especially after reading all the details. The kinder, gentler Hopper was hardly one to shy away from admitting his battles with […]