Cameron’s The Terminator of 1984 was and is a well-made piece of sci-fi trash that bears the ingenuity-on-a-budget scars of most Roger Corman graduates. If it proved a breakthrough for Cameron (who then earned the Aliens gig as a follow-up), it was arguably double that for its monosyllabic center, Arnold Schwarzenegger, then considered near-inconceivable as […]