Mighty Big Fire hasn’t been playing shows all that long, but the group is already bringing down the house. Literally. “We were playing a show at this pizza place and, well, the ceiling fell,” lead singer J.T. Darling said. Added guitarist Chris Feng, “It had been raining all day, and I was just standing in […]
OKCMOA
Posted inArts & Culture
World on a Wire
From “The Matrix” to “Inception” to “Source Code,” the concept of a constructed reality is a popular trope in today’s science-fiction films, but you’ve never seen it tackled as it is in “World on a Wire.” In fact, few have. “No one’s actually seen this before in the United States,” said Brian Belovarac of Janus […]
Posted inMusic
Good deal
Oklahoma City Museum of Art, 415 Couch, hosts a special concert next Wednesday, Aug. 10, in conjunction with its current exhibit of works produced under President Franklin D. Roosevelt’s Public Works of Art Project, “1934: A New Deal for Artists.” The one-time musical event, titled “1934 in Concert: Composers of the Federal Music Project,” is […]
Posted inArts & Culture
Page One: Inside the New York Times
Startling admission: As a career-long journalist in one form or another, it is difficult for me to be truly objective about the documentary “Page One: Inside The New York Times.” No such problem exists with the Times’ own Michael Kinsley, who panned it as “a mess,” but don’t listen to him — I’m guessing most […]
Posted inArts & Culture
True Brit
To prove there’s more to British cinema than stiff-upper-lip costume dramas and slapstick comedies starring Rowan Atkinson, Oklahoma City Museum of Art presents “From Britain with Love.” From Thursday to Sunday, the showcase screens six UK films — each one time only, so consult the sidebar on the next page for times — ranging from […]
Posted inArts & Culture
Poetry
It’s ironic that “Poetry” would open with the image of a dead body floating near the film’s superimposed title, but the best of world cinema subverts viewers’ expectations. Director Lee Chang-dong (“Secret Sunshine”) does that through the entirety of this Cannes-blessed work from South Korea, even before it begins: Doesn’t a drama about a woman […]