Oklahoma City Museum of Art’s 13th annual event features 80 varieties of beer.
Oklahoma City Museum of Art
Posted inArts & Culture
Museum organizers also added a public lecture, Matisse’s Windows, 6 p.m. Sept. 7.
Museum organizers also added a public lecture, Matisse’s Windows, 6 p.m. Sept. 7.
Posted inFood & Drink
Food Briefs: ARTonTAP, Dérailleur, Sam’s Club National BBQ Tour and more
ARTonTAP prepares for its 13th year, Dérailleur celebrates its grand opening and the Midwest City Sam’s Club hosts a team barbecue showdown.
Posted inArts & Culture
OKCMOA celebrates the Coen Brothers’ film noir legacy
The museum screens Blood Simple., The Big Lebowski and Fargo.
Posted inFood & Drink
Food Briefs: Herman Marshall, Wine Spectator Magazine, Wine for the People, Slaughter’s Hall and National Tequila Day
Herman Marshall moves into Oklahoma, Wine Spectator Magazine names winners, Wine for the People plan Olympic-themed event, B.J. Wexler gets a Slaughter’s Hall sandwich and Topgolf celebrates National Tequila Day.
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Zero Days explores malware’s global threat
Director Alex Gibney continues excelling at documentary horror with Zero Days.
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Oklahoma City Museum of Art expands French Film Week into a monthlong event
OKCMOA’s French Film Month screenings are an ideal complement to the Matisse in His Time exhibition.
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Entrepreneur magazine ranked OKC as the nation’s No. 1 city worth moving to if you want to start a business.
Entrepreneur magazine ranked OKC as the nation’s No. 1 city worth moving to if you want to start a business.
Posted inArts & Culture
An art-centered Italian upbringing informs new OKCMOA curator’s vision
Francesca Giani was previously a guest curator at Fred Jones Jr. Museum of Art in Norman.
Posted inArts & Culture
“What we always do really well with our exhibitions — and we’ve already gotten feedback that this is the case again with Matisse — is that our exhibitions always look really good,” Whittington said.
“What we always do really well with our exhibitions — and we’ve already gotten feedback that this is the case again with Matisse — is that our exhibitions always look really good,” Whittington said.