Millsap uses that narrative but flips the script heading into his self-titled follow-up; while most sophomore records are stiffened-up and self-serious compared to their predecessors, Millsap untucks his shirt, kicks up his heels and celebrates a job well done with this relaxed but purposeful collection of songs. He shuffles poignant balladry (“The Villain,” “Forgive Me”) […]
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Them Hounds — Them Hounds
Given the parameters of what actually constitutes the blues, it’s easy to see why: There just aren’t that many variations of the genre’s 12-bar framework that retain that “bluesy feel.” Instead, its divergences usually come in the form of vocal variance and guitar solos, and Them Hounds thrive within these confines. Two things immediately jump […]
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Tom Skinner — Tom Skinner
With this in mind, what makes Tom Skinner’s self-titled album work so beautifully is that it’s chock-full of sincerity — and real sincerity, not manufactured. Sounding like the perfect soundtrack to driving Oklahoma back roads in the summer — windows down, radio way too loud — Skinner evokes shades of alt-roots artists Tom Russell, Greg […]