Guitar god Jimi Hendrix played McCasland Field House at the University of Oklahoma in Norman on May 8, 1970. Over forty years later, modern rock savior Jack White will do the same.
Joshua Boydston
Gazette rounds up best local albums of 2014
Oklahoma is rife with musical talent, and here is just a smattering of some of the best it has to offer.
Since the Dallas-Fort Worth trio’s formation in 2010, Oil Boom has always been something of a throwback, conjuring that same cocky bravado and sound of rock ‘n’ roll’s unrivaled reign in the ’70s.
Since the Dallas-Fort Worth trio’s formation in 2010, Oil Boom has always been something of a throwback, conjuring that same cocky bravado and sound of rock ‘n’ roll’s unrivaled reign in the ’70s.
Long has Chase Kerby laid claim to a position as one of Oklahoma City’s best songwriters.
Long has Chase Kerby laid claim to a position as one of Oklahoma City’s best songwriters.
Since the Dallas-Fort Worth trio’s formation in 2010, Oil Boom has always been something of a throwback, conjuring that same cocky bravado and sound of rock ‘n’ roll’s unrivaled reign in the ’70s.
Since the Dallas-Fort Worth trio’s formation in 2010, Oil Boom has always been something of a throwback, conjuring that same cocky bravado and sound of rock ‘n’ roll’s unrivaled reign in the ’70s.
The Oklahoma City metro produced some of the state’s and nation’s best singles. Here’s the cream of the Oklahoma crop.
The Oklahoma City metro produced some of the state’s — and nation’s — best singles. Here’s the cream of the Oklahoma crop.
Norman’s Mama Sweet is back making sweet, sweet music
There has been no shortage of factors that have drawn Mama Sweet apart over the years.
Album review: Husbands Achin’
Despite living over a thousand miles apart, Wil Norton and Danny Davis — the minds behind OKC/D.C. duo Husbands — are always on the same page.
Denton rock outfit Pageantry carves out its own celebratory niche
Roy Robertson, frontman and songwriter behind Denton indie-rock outfit Pageantry, realizes there are two levels that most things can be read at: surface and core.
For the longest time, DIY artists didn’t feel like there was anyone there to share with. No one who listened. No one who cared. No one who knew that they even existed.
For the longest time, DIY artists didn’t feel like there was anyone there to share with. No one who listened. No one who cared. No one who knew that they even existed.
