Mikah Young tends to work in reverse, an old soul unafraid of the path less traveled and nurtured by her father’s record collection.
Joshua Boydston
Album review: Elms Parallel Lines EP
Elms is a sort of soft rebirth for Chelsey Cope, but it also represents something of a sacrifice.
The Philly-based, Texas-bred band’s sound isn’t new, but it feels like a novel approach in 2014.
The Philly-based, Texas-bred band’s sound isn’t new, but it feels like a novel approach in 2014.
Decorous the full-length debut of Oklahoma City four-piece Bowlsey is a lot of things, and that’s part of the problem.
Decorous — the full-length debut of Oklahoma City four-piece Bowlsey — is a lot of things, and that’s part of the problem.
There’s a reason artists like Marvin Gaye and Curtis Mayfield and their legacies are as vital now as they were in their respective heydays.
There’s a reason artists like Marvin Gaye and Curtis Mayfield and their legacies are as vital now as they were in their respective heydays.
In many ways, Soko couldn’t have asked for a better introduction to the world than First Kiss, a short film featuring 20 total strangers asked to share a first kiss on camera.
In many ways, Soko couldn’t have asked for a better introduction to the world than First Kiss, a short film featuring 20 total strangers asked to share a first kiss on camera.
Album review: Gum Gum
Confidence — lots of it — is required to make a statement as centered as Oklahoma City indie rockers Gum do on their eponymous debut.
In the shadow of its own masterpiece, Interpol rediscovered its creative spirit
El Pintor is an anagram, a clever rearrangement of Interpol that just so happens to translate to “the painter” in Spanish.
Gov’t Mule’s Warren Haynes has blazed trails with his guitar for decades
Warren Haynes’ respect for Jimi Hendrix, The Who, The Rolling Stones, Led Zeppelin and Pink Floyd is matched only by his desire to beat them.
Oklahoma City indie-rock act Gum intends to stick around for a while
So often in music, a stretch not spent actively recording, releasing and touring behind an album is indicative of fading attention and a waning spotlight.
