Transient, the Norman noise outfit’s second LP (if you can call it that) marks a departure from the sprawling psychedelic anthems of its self-titled debut. At eight songs, this mini-album effort clocks in at less than 14 minutes, with each track less than two minutes. The band — front man Chris Harris, guitarist Derek Lemke […]
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Jump street
Photo: Clayton Elder Electronic bands face an uphill climb in the Sooner State, which boasts a proud musical heritage long defined by the obvious (country), the unassuming (folk rock) and, more recently, the brash (garage and punk). Oklahomans like their guitars — for good reason — and the instrument’s reign atop the state is unlikely […]
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Webb fluid
Few songwriters have reached the stratospheric heights as that of Jimmy Webb. By age 16, he was working for Motown Records. At age 20, he wrote “By the Time I Get to Phoenix,” which later was a smash for Glen Campbell and would become one of the most recorded songs of the 20th century. With […]
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Street cred
In grade school, a lot of us were too busy playing Nintendo and sipping Capri Sun to even think about attempting anything artistic. But not Jabee Williams, aka Oklahoma City rapper Jabee. “I wrote my first rap when I was 7. That’s when I started,” Jabee said. “It just went on from there. I went […]
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SXSW 2013: OK Sweetheart / Defining Times / Samantha Crain
OK Sweetheart knows how to write a pop tune, whether it’s a slow ballad or a peppy, full-band sing-along. The Tulsa quintet showed both sides of their prowess during its set. The latter were marked by enthusiastic clapping from the band and audience. This energy carried over to the songwriting, as the bass lines were […]
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SXSW 2013: Zach Winters / Parker Millsap
The Norman man’s voice is a high, yearning one, perfect for injecting a sense of longing into a tune. He also had three female vocalists with him, and their vocals added a unique dimension to Winters’ sound. A drummer, hand percussionist, bassist and electric guitarist filled out the rest of the band, which gave Winters’ […]
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SXSW 2013: Guardant / The Del Toros / The Kamals / Josh Sallee
It only took Guardant 30 seconds to win me completely over to its team. The quintet’s hyperactive, quirky dance pop is simply irresistible. The group head-bobbed, shared microphones, switched instruments, clapped for each other, clapped in songs, and generally had as much fun as possible. Its incredibly peppy sound was anchored by herky-jerky keyboards, speedy […]
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SXSW 2013: Horse Thief / Colourmusic
But neither string of terms does justice to the Horse Thief sound, which is the sort that takes command of a room. A SXSW volunteer standing next to me leaned over halfway through Horse Thief’s set and informed me of how amazing the band was — even though we had not said a word to […]
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Johnny Polygon — The Nothing
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal;mso-outline-level:1″><span style=" Times New Roman” ,”serif”;mso-fareast-times=”” new=”” roman”;=”” mso-font-kerning:18.0pt;mso-fareast-language:es-bo”=””> <p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal”> The Nothing is a smart, subtle and cohesive album that suits Polygon’s always formidable flow. He clearly has bought into the Clams Casino mode of hazy hip-hop production, and it’s a smart choice; his voice has always moved like […]
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Tracks of my ears
Sleek and stylish electro duo The Deer Tracks is about as overtly Swedish as a certain chef from The Muppets, which means the blood coursing through the two members’ veins all but guarantees they construct ridiculously infectious pop music far more sturdy than an IKEA shelving unit. In fact, they do. The two — singer/chanteuse […]