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The Unthanks — Last

No better synopsis exists, as this sparse folk disc deals almost exclusively in exquisite misery. It’s a downtrodden affair, but it’s oh-so-gorgeous while being gray. Rachel and Becky Unthank (their real name!) are the driving force behind the band, as their pristine, incredibly British vocals dominate the proceedings. Their lovely accents are a boon for […]

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Chris Bathgate — Salt Year

It’s a mellowing experience, one that makes a sleepy day seem bearable. The folky tunes don’t have an underlying layer of misery that marks Bon Iver’s output, and that’s all the better for just watching life go by on a lazy afternoon. If you’re lazy, you can just put “No Silver” on repeat and drift […]

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Emily Arin — Patch of Land

But Emily Arin’s “Patch of Land” bursts through those categories and creates a mesmerizing album that can’t be pinned down. Her instrument is the acoustic guitar, and she sings in a haunting tone that falls just south of soprano. Her songs incorporate modern singer/songwriter, folk, ‘50s pop, country, waltzes and more. The whole album is […]

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Elephant Revival — Break in the Clouds

It helps that all five members contribute songs, taking the stress off one songwriter. The band takes the term “folk” seriously, sticking to tunes that could have been culled from the Appalachians in the 19th century or earlier. Thankfully, the production isn’t rustic. The songs sport a sprightly, well-produced sheen landing just short of being […]

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‘Dark’ horse

There’s a gentle reflective cast to his songs. Nimble poetry pirouetting around burbling acoustic guitar melodies. A limber baritone supporting arrangements that are spare and understated, even on record, providing ballast that keeps them from drifting away. John Gorka has established himself as one of folk’s finest writers, a master at walking the tightrope between […]

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