Westering started out as an instrumental math-rock band, but adding vocals balanced the equation. The Oklahoma City five-piece featuring vocalist Jamie Bramble, drummer Andrew Dolman, bassist Dalton Farr and guitarists Bryan English and Stephen Brand celebrates the release of its self-titled debut EP 8 p.m. July 27 at The Paramount Room, 701 W. Sheridan Ave. […]
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Dawes schedules an intimate evening of music for Jan. 29 at ACM@UCO Performance Lab
Drummer Griffin Goldsmith talks about his family’s music tradition, Bob Dylan’s songwriting legacy and We’re All Gonna Die with Oklahoma Gazette.
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Aisha Eustache — Love & Addiction
Where are the chanteuses who once graced the charts, like Betty Wright, Roberta Flack or The Three Degrees? Where are the beautiful declarations of love and fidelity? The soul-stirring rock-bottoms of heartache and loneliness? A return to honest, resonant emotion? Those questions are answered with the five songs of Love & Addiction, the debut EP […]
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‘Vital’ signs
Eleven years in, and few alternative bands can claim the sort of consistent success and stability that Anberlin has. With six successful studio albums and tours with 30 Seconds to Mars and Taking Back Sunday under its belt, the group has enjoyed a smooth ride. “A lot of bands can’t keep together a year, let […]
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Smith Westerns — Soft Will
Traditionally, bands aren’t really supposed to hit rock ’n’ roll puberty until they approach their 30s. And you’re definitely not supposed to sound as primed and polished as Smith Westerns do on Soft Will — their third studio album — when you’re barely into your 20s. Admittedly, the act’s youth and the notion of trad-rock […]
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Maurice Johnson — Peace, Love & Jazz
“Hello My Brother” has a sweet flute interlude that, contrary to the title, leaves me wanting to say, “Hello, my lover,” as I lay her down on a down-filled bed. The Spanish-flavored “A Taste of the Sun” follows this idea up nicely with an aural frolic on a secluded Mexican beach, if only to […]
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Takeoff Eyeslow — The Prescription
So if Kanye wants to go off on his Alan Vega/Suicide jag, let him. We have a homegrown replacement right here in Takeoff Eyeslow, dropping an album that is a better follow-up to Graduation than anything West has done since. On The Prescription, the Norman rapper exudes sleepy passion. The first track, “Papa Robert,” doesn’t […]
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Kanye West — Yeezus
Ego alone isn’t what makes Mr. West such a fascinating figure; any other schmo with a head his size would be scoffed and discarded as parody. There’s actually a certain degree of legitimacy that keeps his maniacal sense of self-importance from devolving into full-scale megalomania: that Kanye’s vision and production chops are currently unmatched in […]
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Spyda “the Wise Musician” — Mr. Metaphor
Yes, it’s filled with the typical big-balls braggadocio that has become a hallmark of most hip-hop, but what makes Spyda’s album so refreshing is the way he backs those balls up: He has a sound harder than anything on the radio right now. In a world of punk-ass Tiger Beat tween faves like Drake and […]
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Amanda Earhart — Tell Me What You Want
Her debut EP, Tell Me What You Want, is characterized by funky, bright instrumentation with a mellow groove that harkens back to an age before Auto-Tune. Born and raised in Oklahoma City, Earhart shows off an impressive vocal range throughout the six songs. Whether she’s singing low and level, like in “Tell Me What You […]