Yes, it’s filled with the typical big-balls braggadocio that has become a hallmark of most hip-hop, but what makes Spyda’s album so refreshing is the way he backs those balls up: He has a sound harder than anything on the radio right now. In a world of punk-ass Tiger Beat tween faves like Drake and […]
—“new
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Trading places
Between being a band, helping manage a record label/recording studio and maintaining a full-time day job, time management is crucial. Maybe that’s why Josh Griffin and Jonathan Eldridge — the two-man crew behind Oklahoma City blues-rock outfit The Trading Co. — have taken to writing songs and playing shows at the same time. “We’ve done […]
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No Justice — America’s Son
For the record, the film is a back woods action-revenge thriller starring Kevin Sorbo. That perfectly suits the bluesy-rootsy tune with lines like, “Who you gonna call when it gets rough” and “Where you gonna run when the river runs dry,” sung with a passion that would go great with a couple of roundhouse kicks. […]
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Royal rush
For the guys of the Nashville-based Blacklist Royals, 2012 was a bad year. “2011 was really good for us,” said Nat Rufus, lead singer and guitarist, noting the group was coming off its debut disc and the Warped Tour. “And then 2012 happened. We had all these new songs written and the plan was to […]
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Horse Thief — Grow Deep, Grow Wild
Horse Thief is not a psychedelic folk band, like its members want you to believe; the Oklahoma City quintet plays trendy indie pop with some earthy guitar tones and lyrics that occasionally make mention of geography. Self-affixed or otherwise, labels aren’t necessarily indicative of artistic worth, yet framework and context are crucial in determining whether […]
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Tony Romanello and the Black Jackets — Pleased to Meet Us
Sure, Romanello doesn’t have the gravitas of a Westerberg and Stinson, but he doesn’t need to. Those guys have already paved the road; let’s just let Tony and the Black Jackets drive on it. “The Way It Goes” is a good intro to the group, and a song I’m sure kills live, with its intonations […]
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Portraiture — Real as Ritual
From the gorgeous guitar on the instrumental “Miami Weiss (Part I)” (coming off like The Cure’s poppiest song to date) to “I Studied for the Drug Test” (with such biting observations, I’m sure it’s what Morrissey would sound like if raised on an Okie diet of steak and potatoes), Siler’s solo debut is unique to […]
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Mulling it over
Shawn Mullins Photo: Michael Wilson When a musician is widely known for one song and one song only, the relationship can be complicated. Folk rocker Shawn Mullins’ Grammy-nominated track “Lullaby” was inescapable as soon as it debuted in 1998, and he hasn’t had another song approach that level of success … but he loves the […]
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The Flaming Lips — The Terror
In it, he detailed — with a vague, yet purposeful candor — the internal struggles endured by both he and his bandmates, ruminating on a metaphysical desire for control over one’s life and, conversely, the self-inflicted, masochistic chaos that can often accompany it. These pleas for understanding, he ultimately concluded, were nothing but exercises in […]
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Ever so Slightly
Nearly 20 years in, and California’s Slightly Stoopid is still on top of its game. The reggae-punk fusion act released its seventh studio album, Top of the World, last August to its highest Billboard chart position to date. “It’s amazing. We’re living a blessed life,” guitarist, bassist and singer Miles Doughty said. “I don’t know […]