OKC collective Culture Cinematic works together to write genre-blending music everyone can enjoy.
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Film review: Rudderless
The feature-length directorial debut of acclaimed actor William H. Macy is as pivotal to the Oklahoma arts scene as any work in decades.
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Film review: Fury
Few works — literary or cinematic — effectively merge romanticized war with the assumed misanthropy of a grotesque battlefield.
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Enid-raised producers detail The Good Lie’s pressing issue
The career of Trent and Thad Luckinbill, cofounders of Black Label Media and natives of Enid, was originally foreshadowed by their own upbringing.
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Producer Kjarval tells why he made Rudderless
Keith Kjarval, producer of the distinctly Oklahoman film Rudderless, has always known what he wants to do.
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Given its conceptual brilliance, Gone Girl would have been difficult for any director to spoil. Yet no one was better suited to helm Gillian Flynn’s 2012 bestselling novel than David Fincher.
Given its conceptual brilliance, Gone Girl would have been difficult for any director to spoil. Yet no one was better suited to helm Gillian Flynn’s 2012 bestselling novel than David Fincher.
Posted inArts & Culture
With her breakthrough documentary, Mitra Farahani paints her portrait with a virtuoso’s precision — not an easy task given the complexity of her subject.
With her breakthrough documentary, Mitra Farahani paints her portrait with a virtuoso’s precision — not an easy task given the complexity of her subject.
Posted inArts & Culture
Film review: The Skeleton Twins
As evidenced by Maggie and Milo in the dramedy The Skeleton Twins, what binds family can look an awful lot like the shackles of self-destruction.
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Film review: The Equalizer
The Home Depots and Lowes of the world can be mighty intimidating for those of us whose idea of home improvement means hiring a professional.
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Film review: T-Rex
32-year-old Newcastle native Mickey Reece has been astonishingly proliferative since he began directing in 2008, tackling a litany of genres with his stock company of actors.