Foxcatcher illuminates Dave Schultz’s life and career.
Daniel Bokemper
Posted inArts & Culture
OCU to offer MFA in screenwriting
New MFA allows students to work toward a degree in screenwriting.
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Narratively, the film conveys a back-and-forth between Cheryl’s hike and her past.
Narratively, the film conveys a back-and-forth between Cheryl’s hike and her past.
Posted inArts & Culture
Film review: The Homesman
At the climax of an ultimately futile night of romance, a lonely and classically western woman unsuccessfully serenades an apathetic suitor by means of a faux piano.
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Katniss Everdeen’s first cinematic arrow managed to hit its mark despite a subtle wavering. The second split its predecessor like a bolt from a resurrected Howard Hill.
Katniss Everdeen’s first cinematic arrow managed to hit its mark despite a subtle wavering. The second split its predecessor like a bolt from a resurrected Howard Hill.
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Theodore Melfi’s feature film directorial debut, St. Vincent, though not revolutionary, does provide a seasoned cynicism layered with therapeutic gags.
Theodore Melfi’s feature film directorial debut, St. Vincent, though not revolutionary, does provide a seasoned cynicism layered with therapeutic gags.
Posted inArts & Culture
Film review: Fury
Few works — literary or cinematic — effectively merge romanticized war with the assumed misanthropy of a grotesque battlefield.
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Enid-raised producers detail The Good Lie’s pressing issue
The career of Trent and Thad Luckinbill, cofounders of Black Label Media and natives of Enid, was originally foreshadowed by their own upbringing.
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At the heart of all cinema lies a body-horror film about a human walrus. With Tusk, Kevin Smith continues a tangent seemingly spurred by 2011’s Red State.
At the heart of all cinema lies a body-horror film about a human walrus. With Tusk, Kevin Smith continues a tangent seemingly spurred by 2011’s Red State.
Posted inArts & Culture
The initial image of Michaël Roskam’s first directorial venture into American cinema, The Drop, is a rippling reflection of a mechanical structure within a lowly puddle.
The initial image of Michaël Roskam’s first directorial venture into American cinema, The Drop, is a rippling reflection of a mechanical structure within a lowly puddle.