Small Sur sounds nothing like any of these bands. Literally, nothing. Theyll probably never achieve the same level of notoriety, which is very sad. Theyve recorded the most beautiful, lovely slowcore folk music these ears have ever heard, but unfortunately, that particular sub-genre isnt in high demand among audiences much larger than what could fill an upscale living room.
Tones is as lovely an exercise in hushed, sparse production and small-detail storytelling as youll find these days. Each song sets an intimate scene that would belong at home in a literary novel. Meet me under trees / Golden canopy, Bob Keal whispers amid his and Andy Abelows rich guitar and horn arrangements. How I Love You tells a grown-up romance in as few words as babies teething.
Keals songwriting comes through in traditional poetic devices, most typified in Three Haiku, a sad, autumn plodder that features a flute and the lyrics I cannot find you. True to its title, the album sets a tone and allows the listener room to imagine his or her own story within it.
Doing more with less. Few are telling more developed, personal and intimate stories than Small Sur are right now. Matt Carney
This article appears in Aug 3-9, 2011.
