French channels his cousin Kanye West while also blazing his own musical path.
album review
OKC-based Vonna Pearl gets inventive on its thrilling self-titled debut
The album is available to stream on Spotify.
The Happily Entitled’s Preface is a good sign of things to come
The Happily Entitled combines rock, jazz and pop sounds on a project that bodes well for future efforts.
Greyson Chance’s Somewhere Over My Head shows maturity beyond viral appeal
Opening track “Afterlife” on Greyson Chance’s new EP has the makings of a summer jam.
The group’s eponymous record bears some of its most compelling songwriting to date.
The group’s eponymous record bears some of its most compelling songwriting to date.
The six-song effort doesn’t sound so much like the cold piece of stone or treasured keepsake left behind as the fuzzy, ambiguous idea behind it.
The six-song effort doesn’t sound so much like the cold piece of stone or treasured keepsake left behind as the fuzzy, ambiguous idea behind it.
Album review: Admirals Amidst the Blue
The four-piece finds itself by shedding away any preconceived notion of what the band is or should be, engaging every whim and executing each one precisely.
CFN’s awfully harsh record review of the week
Credit: Brad Gregg Consequence of Sounds David Buchanan on the Stillwater-born All- American Rejects new album, Kids in the Street
CFN’s awfully harsh record review of the week
Credit: Brad Gregg Consequence of Sounds David Buchanan on the Stillwater-born All- American Rejects new album, Kids in the Street
CFN’s awfully harsh record review of the week
Credit: Brad Gregg Consequence of Sounds David Buchanan on the Stillwater-born All- American Rejects new album, Kids in the Street
