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Luna Moth is no stranger to experimentation. Joey Paz’s Norman-based project began in 2010 with Shamanic Youth, a 10-track exploration of layered guitar and pop deconstruction, but has since evolved into a fleshed-out four-piece.

Luna Moth is no stranger to experimentation. Joey Paz’s Norman-based project began in 2010 with Shamanic Youth, a 10-track exploration of layered guitar and pop deconstruction, but has since evolved into a fleshed-out four-piece.

Posted inMusic

Album review: Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, […]

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Horse Thief — Little Dust

In advance of their upcoming album, Fear in Bliss, Oklahoma City folk-rockers Horse Thief debuted a new single this week on popular music blog Stereogum.  The song, “Little Dust,” is a breezier affair than “Devil,” the album’s first single. It features a mid-tempo rhythm section and twangy guitar swells layered beneath singer Cameron Neal’s nasally croon, and […]

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Machine Head

What’s missing? A reason to care.  Marlboro-throated Rachel (Sharon Hinnendael, star of the recent Embrace of the Vampire remake) and her fellow spoiled-brat friends spend spring break at a totally sweet Cali-desert house owned by some rich dude her dad knows. The girls lose their enthusiasm over a week of endless drinking and dicking when […]

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Nativity scene

Artists find their truth in all sorts of places. For Tulsa alt-rockers Native Lights, it was an abandoned and forgotten mid-century-style cattle auction house in the sleepy farm community of Hominy. Seeking a special space to record its debut album, the four-piece — featuring Johnathon Ford (bass), Nathan Price (drums), Bryce Chambers (guitar/vocals) and Philip […]

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Graham Colton — Lonely Ones

Lonely Ones doesn’t feel like a manufactured change, though, and Colton’s wise choice in marrying his intrinsic tendency toward soaring, ear-friendly melodies with some quirkier sonic sensibilities — owed to a push from friend Wayne Coyne — is nothing if not natural. This sounds like where Graham was meant to be all along. The opening […]

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